All my soul to God I raise
- Psalms 140:5
- Psalms 141:9
- Psalms 143:8
- Psalms 25:1-22
- Psalms 31:4
- Psalms 86:4
- Psalms 91:3
- 25
All my soul to God I raise;
Be my guardian all my days.
Confident in hope I rest,
Daily prove your path is best.
Ever work in me your will,
Faithful to your promise still.
2. Graciously my sins forgive;
Help me by your truth to live.
In your footsteps lead me, Lord,
Joy renewed and hope restored,
Knowing every sin forgiven,
Learning all the ways of heaven.
3. Mercies manifold extend,
Not as judge but faithful friend.
O my Saviour, hear my prayer,
Pluck my feet from every snare;
Quietude be mine at last,
Rest from all my guilty past.
4. Sheltered safe when troubles fret,
Trusting God I triumph yet!
Undismayed in him I stand,
Victor only by his hand.
Worship, homage, love and praise,
All my soul to God I raise.
© Author / Oxford University Press
Timothy Dudley-Smith
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Tune
-
Noricum Metre: - 77 77 77
Composer: - James, Frederic(k)
The story behind the hymn
After the grandeur of Psalm 24 comes this much more personal prayer, no less individually searching for being so formally structured; similar contrasting juxtapositions will come in the hymns from 151 onwards. But there are connections: I lift my soul to the LORD (Psalm 25:1), and not to idols or ‘vanity’ (24:4).The shame rightly felt by David (v 2) is relieved by the song’s end, and in such assurance as Isaiah 54:4. Like many of Timothy Dudley-Smith’s texts, this was written during a holiday in the Cornish coastal village of Ruan Minor, on The Lizard. He did not at first plan to imitate the acrostic pattern of the Hebrew text (‘An alphabet of entreaty’—Kidner), but during work over 3 days of August 1982 ‘it seemed to become possible to try’. Like Ronald Knox’s (prose) version, it omits the letters X, Y and Z; clearly, says the author, a 24-line hymn therefore needed one repetition, ‘and I have come full circle to my opening line’. A fuller account of his Cornish writing habits and of particular early texts is found in Lift Every Heart (1984). Another recent paraphrase is Paul Inwood’s Remember, remember your mercy, Lord, from 1981. NORICUM was not named by the author as a recommended tune (he nominates WELLS) but is chosen here to express the cheerful mode of the words. It is a ‘Methodist tune’ (says the Baptist Hymn Book Companion!), composed by Frederic (sic) James, set to Christ whose glory fills the skies in the 1904 Methodist Hymn Book, in its 1933 edition to, For the beauty of the earth and in the 1983 Hymns and Psalms to Father, Son and Holy Ghost. Noricum was an Alpine region of the Roman Empire, now eastern Austria.
A look at the author
Dudley-Smith, Timothy
b Manchester 1926. Tonbridge School, Kent, Pembroke Coll Camb, and Ridley Hall Camb; ordained (CofE) 1950. After ministry at Northumberland Heath (nr Erith, Kent) and Bermondsey (SE London) he worked with the Evangelical Alliance, editing Crusade magazine before moving to the Church Pastoral Aid Society, becoming Gen Sec in 1965. Subsequently he became Archdeacon of Norwich (73–81), then suffragan Bp of Thetford until his retirement to Ford, nr Salisbury, in 1992. A writer of verse (including a mastery of the comic sort) from his youth, he is seen by Prof J R Watson (in The English Hymn, 1997) as igniting the late 20th cent ‘hymn explosion’ with his 1961 Tell out, my soul, the greatness of the Lord, one of the hymns from that period in the widest use. He is the author of over 250 hymn texts in a similar number of hymnals worldwide, first collected in Lift Every Heart (1984), most recently in A House of Praise ( 2003). The latest of 4 smaller supplements, A Door for the Word, appeared in 2006, and 2 smaller booklets of his texts with accompanying music were published in 2001 and 2006: respectively Beneath a Travelling Star and A Calendar of Praise.
For many years the Bible commentator Derek Kidner was a mentor for most of TDS’s early drafts. While some were begun or completed at home, on trains or elsewhere, several were the fruit of family holidays on the Cornish coast, as a pre-breakfast employment (and delight) overlooking the beach near The Lizard. As reviewers have often observed, his texts are notable for their varied metres, disciplined rhyming, and biblical content; the theme of redemption through the cross and the shed blood of our Lord Jesus Christ is a theme encountered consistently, naturally and with variety; so is the fact that ‘the Lord is risen’. Without plagiarising, the hymns deliberately draw on a wide range of earlier poets and other authors for suggested ideas, as the attached notes fully illustrate. 37 items are included in Sing Glory (1999); 18 are in the N American Worship and Rejoice (2001), 9 in the 2005 edn of A Panorama of Christian Hymnody and 33 in the new Anglo- Chinese Hymns of Universal Praise (new edn, 2006). His other books include A Flame of Love: A personal choice of Charles Wesley’s verse ( 1987), Praying with the English Hymn-writers (1989), and a 2 vol biography (the first) of John R W Stott (1999, 2001). He has served on editorial groups for Psalm Praise (1973) and Common Praise (2000), and has addressed and been honoured by both the N American and British Hymn Societies, respectively as Fellow and Hon Vice-President. In 2003 he was awarded the OBE ‘for services to hymnody’. Hymn festivals in Tunbridge Wells and Salisbury, together with an extended BBC ‘Sunday Half Hour’ on New Year’s Eve, marked his 80th birthday at the end of 2006, following the publication of a seasonallyarranged selection of 30 texts in A Calendar of Praise (with music, mostly traditional). In an opening address to the Hymn Soc’s Guildford conference in its 70th year (also 2006), TDS spoke of his (and our) ups and downs as ‘Snakes and Ladders’, concluding with that greatest of ‘ladders’ from Gen 28, referred to in Elizabeth’s Clephane’s text (699) which has meant everything to him: ‘so seems my Saviour’s cross to me/ a ladder up to heaven’. Nos.10, 20, 25, 26, 32, 34, 41, 56, 60, 63, 65, 69B, 72, 73, 91B, 115, 119H, 134, 141, 218, 238, 320, 327, 351, 360, 389, 402, 405, 410, 413, 436, 459, 466, 488, 497, 516, 531, 553, 558, 623, 628, 659, 688, 697, 746, 750, 784, 823, 924, 925, 939, 949, 951, 1001, 1002, 1005, 1006, 1009, 1019, 1020, 1025, 1042, 1077, 1136, 1166, 1174, 1214.