Angel voices ever singing
- Genesis 4:21-22
- Exodus 31:1-6
- Exodus 35:30-35
- Exodus 36:1
- Exodus 36:8-19
- Exodus 38
- Deuteronomy 31:19-22
- 1 Kings 7:14
- 1 Kings 8:27-30
- 1 Chronicles 15:16-22
- 1 Chronicles 16:4-6
- 1 Chronicles 29:14
- 2 Chronicles 2:7-14
- 2 Chronicles 5:12-13
- Psalms 103:20-21
- Psalms 148:2
- John 4:23-24
- Acts 16:25
- Ephesians 5:19-20
- Colossians 3:16
- Hebrews 1:12
- Revelation 4:11
- Revelation 4:8
- Revelation 5:11-14
- 169
Angel voices ever singing
round your throne of light,
angel music ever ringing
rests not day or night;
thousands only live to bless you
and confess you Lord of might.
2. Lord, beyond our mortal sight
in glory far away,
can it be that you delight
in sinners’ songs today;
may we know that you are near us
and will hear us? Yes, we may!
3. Yes, we know your heart rejoices
in each work divine,
using minds and hands and voices
in your great design;
craftsman’s art and music’s measure
for your pleasure all combine.
4. Here to you, great God, we offer
praise in harmony,
and for your acceptance proffer
all unworthily
hearts and minds and hands and voices
in our choicest psalmody.
5. Honour, glory, might and merit
for your works and ways,
Father, Son and Holy Spirit,
God through endless days!
With the best that you have given
earth and heaven render praise.
© In this version Jubilate Hymns
This is an unaltered JUBILATE text.
Other JUBILATE texts can be found at www.jubilate.co.uk
Francis Pott (1832-1909)
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Tune
-
Angel Voices Metre: - 85 85 843
Composer: - Monk, Edwin George
The story behind the hymn
Few older hymns can be so precisely and authentically dated as this one, few years so notable for hymnody as 1861 when it appeared, and few church organs so celebrated as that of St John the Evangelist, Wingates, Lancs (now Gtr Manchester), for which it was written. It eventually made its way into Primitive Methodist (1886) and Congregational (1887) hymnals, and to the 1889 Supplement to A&M, whose first edition had arrived in 1861. But its publication dates from 1866, in the author’s Hymns fitted to the order of Common Prayer, 2nd edn, headed ‘For the Dedication of an Organ or for a Meeting of Choirs’. Francis Pott, already known as a hymnologist, wrote the words when curate of Ardingly, Sussex, at the request of his friend W K Macrorie, then ‘in charge’ at Wingates, who in 1869 followed the deposed J W Colenso as Bishop of Maritzburg, Natal (see also 577, note). The new organ was installed and dedicated in Feb 1861, and this hymn was sung for the occasion. Curiously, Bonar’s Angel voices sweetly singing was published in the same year, but has not survived the 19th c. This one, however, thrives in the 21st, though few hymns have proved so resistant to smooth updating, mainly because of the original half-rhymes farthest/regardest’, the phrase ‘sinful man’ in stz 2, and the final ‘thee’ in stz 5 as well as 4.2. For different reasons, ‘angel-harps’ (1.3) and ‘in thy house’ (4.1) have also been redrafted. Less obvious changes had been made earlier, but the version adopted here is virtually the ‘Jubilate’ text finalised by Michael Perry for HTC 2nd edn 1987, after earlier ones had proved unsatisfactory.
Edwin G Monk, at that time organist of York Minster, composed the tune ANGEL VOICES for these words and to mark this event, also at the incumbent’s request. The words and music have almost invariably appeared together from 1887 onwards; but Geoffrey Beaumont’s MAIQUEZ, from 1960, appeared in Hymns of Faith in 1964 and Sound of Living Waters 10 years later.
A look at the author
Pott, Francis
b Southwark (Surrey/S London) 1832, d Speldhurst nr Tunbridge Wells, Kent 1909. His first home was near the site of Shakespeare’s Globe Theatre and of his father’s vinegar factory. Brasenose Coll Oxford; BA 1854, MA 1857. Ordained in 1856; curate at Bishopsworth nr Bristol; then of Ardingly and Ticehurst, both in Sussex. Rector of Northill, nr Biggleswade, Beds, from 1866 to 1891 when ill health including deafness induced him to resign, and retire to Speldhurst. He edited Hymns fitted to the Order of Common Prayer (translated from Lat and Syriac as well as new texts) in 1861, the year of the 1st edn of Hymns A&M of whose committee he was a Charter member. In retirement he concentrated on hymnody and liturgy, editing The Free Rhythm Psalter in 1898. Nos.169, 473.