Approach with awe this holiest place
- Psalms 30:5
- Isaiah 53:2
- Matthew 20:28
- Matthew 26:56
- Matthew 27:45-50
- Mark 1:14-15
- Mark 10:45
- Mark 14:50
- Mark 15:33-37
- Luke 19:10
- Luke 23:44-46
- Luke 4:14-15
- John 16:20-22
- John 16:32
- John 18:37
- John 19:30
- John 8:31-32
- John 8:45-47
- Acts 3:15
- 1 Corinthians 11:24
- 1 Corinthians 15:20-22
- 1 Corinthians 15:3-4
- 1 Timothy 2:6
- Hebrews 10:22
- 413
Approach with awe this holiest place,
the last of death’s domain;
the shuttered heavens hide their face,
the powers of darkness reign;
for there beneath those sombre skies
the Prince of life, forsaken, dies.
2. The Prince of life! For us he came
from that high throne above,
his cross the measure of our shame,
his death the price of love;
and at his cross, my soul, begin
to feel the weight of love and sin.
3. Can this poor broken form be he
who taught the words of truth,
who strode the hills of Galilee
in all the flower of youth?
Can this be he, this lifeless head,
with grace and strength and beauty fled?
4. By wood and nails the work is done
that answers all our need,
the prize of full salvation won,
the ransomed sinner freed.
Draw near with faith, my soul, and see
the Prince of life who died for me.
5. The Prince of life! While time shall last
his cross and grave remain
sure signs of sin and sorrow past,
bright morning come again:
an empty cross, an empty grave,
a risen Christ to seek and save!
© Author / Oxford University Press
Timothy Dudley-Smith
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Tune
-
Palmyra Metre: - 86 86 88
Composer: - Summers, Joseph
The story behind the hymn
The repeated phrase ‘the Prince of life’, originating significantly in the phrase ‘You killed the Prince of life’ (Acts 3:15 AV/NKJV, cf 466, note), dominates this hymn by Timothy Dudley-Smith. It was written at Ruan Minor, Cornwall, in Aug 1984, on the theme ‘The cross of Christ; passiontide’. In his notes in Songs of Deliverance (1988), the first of his supplementary books which included 36 hymns from 1984–87, the author acknowledges his debt to J Alec Motyer’s book The Message of Philippians, published not long before the hymn was written, which quotes Bishop Handley Moule’s comments (in a letter of 1919) on the empty cross and empty grave, as in stz 5. It features here for the first time in a hymnal.
The Bristol Tune Book introduced PALMYRA by Joseph Summers, set to Conder’s Thou art the everlasting Word, in 1863. It is the author’s first choice of tune, also used here for 755. He also suggests Patrick Hadley’s PEMBROKE (624).
A look at the author
Dudley-Smith, Timothy
b Manchester 1926. Tonbridge School, Kent, Pembroke Coll Camb, and Ridley Hall Camb; ordained (CofE) 1950. After ministry at Northumberland Heath (nr Erith, Kent) and Bermondsey (SE London) he worked with the Evangelical Alliance, editing Crusade magazine before moving to the Church Pastoral Aid Society, becoming Gen Sec in 1965. Subsequently he became Archdeacon of Norwich (73–81), then suffragan Bp of Thetford until his retirement to Ford, nr Salisbury, in 1992. A writer of verse (including a mastery of the comic sort) from his youth, he is seen by Prof J R Watson (in The English Hymn, 1997) as igniting the late 20th cent ‘hymn explosion’ with his 1961 Tell out, my soul, the greatness of the Lord, one of the hymns from that period in the widest use. He is the author of over 250 hymn texts in a similar number of hymnals worldwide, first collected in Lift Every Heart (1984), most recently in A House of Praise ( 2003). The latest of 4 smaller supplements, A Door for the Word, appeared in 2006, and 2 smaller booklets of his texts with accompanying music were published in 2001 and 2006: respectively Beneath a Travelling Star and A Calendar of Praise.
For many years the Bible commentator Derek Kidner was a mentor for most of TDS’s early drafts. While some were begun or completed at home, on trains or elsewhere, several were the fruit of family holidays on the Cornish coast, as a pre-breakfast employment (and delight) overlooking the beach near The Lizard. As reviewers have often observed, his texts are notable for their varied metres, disciplined rhyming, and biblical content; the theme of redemption through the cross and the shed blood of our Lord Jesus Christ is a theme encountered consistently, naturally and with variety; so is the fact that ‘the Lord is risen’. Without plagiarising, the hymns deliberately draw on a wide range of earlier poets and other authors for suggested ideas, as the attached notes fully illustrate. 37 items are included in Sing Glory (1999); 18 are in the N American Worship and Rejoice (2001), 9 in the 2005 edn of A Panorama of Christian Hymnody and 33 in the new Anglo- Chinese Hymns of Universal Praise (new edn, 2006). His other books include A Flame of Love: A personal choice of Charles Wesley’s verse ( 1987), Praying with the English Hymn-writers (1989), and a 2 vol biography (the first) of John R W Stott (1999, 2001). He has served on editorial groups for Psalm Praise (1973) and Common Praise (2000), and has addressed and been honoured by both the N American and British Hymn Societies, respectively as Fellow and Hon Vice-President. In 2003 he was awarded the OBE ‘for services to hymnody’. Hymn festivals in Tunbridge Wells and Salisbury, together with an extended BBC ‘Sunday Half Hour’ on New Year’s Eve, marked his 80th birthday at the end of 2006, following the publication of a seasonallyarranged selection of 30 texts in A Calendar of Praise (with music, mostly traditional). In an opening address to the Hymn Soc’s Guildford conference in its 70th year (also 2006), TDS spoke of his (and our) ups and downs as ‘Snakes and Ladders’, concluding with that greatest of ‘ladders’ from Gen 28, referred to in Elizabeth’s Clephane’s text (699) which has meant everything to him: ‘so seems my Saviour’s cross to me/ a ladder up to heaven’. Nos.10, 20, 25, 26, 32, 34, 41, 56, 60, 63, 65, 69B, 72, 73, 91B, 115, 119H, 134, 141, 218, 238, 320, 327, 351, 360, 389, 402, 405, 410, 413, 436, 459, 466, 488, 497, 516, 531, 553, 558, 623, 628, 659, 688, 697, 746, 750, 784, 823, 924, 925, 939, 949, 951, 1001, 1002, 1005, 1006, 1009, 1019, 1020, 1025, 1042, 1077, 1136, 1166, 1174, 1214.