Baptized in water
- Judges 5:3
- Psalms 104:33
- Psalms 40:3
- Psalms 7:17
- Matthew 25:34
- John 1:12
- John 19:37
- Acts 17:7
- Romans 6:3-11
- 2 Corinthians 1:22
- 2 Corinthians 4:10
- Ephesians 1:13
- Ephesians 4:30
- Hebrews 1:14
- Hebrews 9:14
- James 1:18
- 1 John 1:7-9
- 1 John 3:1
- 635
Baptized in water,
sealed by the Spirit,
cleansed by the blood of Christ our King;
heirs of salvation,
trusting his promise-
faithfully now God’s praise we sing.
2. Baptized in water,
sealed by the Spirit,
dead in the tomb with Christ our King;
one with his rising,
freed and forgiven-
thankfully now God’s praise we sing.
3. Baptized in water,
sealed by the Spirit,
marked with the sign of Christ our King;
born of one Father,
we are his children-
joyfully now God’s praise we sing.
© Author / Jubilate Hymns
This is an unaltered JUBILATE text.
Other JUBILATE texts can be found at www.jubilate.co.uk
Michael Saward
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Tune
-
Tillingbourne Metre: - 558 558
Composer: - Berry, Gillian Patricia
The story behind the hymn
In a somewhat parallel situation to 634, Michael Saward’s hymn was written in 1981 at Ealing, W London, where he was the vicar. He had become aware of a dearth of baptismal hymns, ‘a common fault with previous hymnbooks’. This was the 3rd of 4 used during a teaching series on baptism, all of which were included in HTC a year later. The 1st was written in 1979; the other 3 within the space of four days in 1981—this on the 29 May. It is one of his more succinct texts but has a typically clear structural pattern with both repetition and variation. Some key phrases come from Romans 6, Ephesians 1 and Colosians 2, while ‘the sign of Christ’ (3.3) is from recent Anglican liturgies. For the author, baptism is an ‘effectual sign’; his text also counters any concept, ‘catholic’ or ‘charismatic’, of a two-stage initiation. Just as 291 is easily the author’s most popular text in Britain, so the Americans have taken to this one, which appears in several hymnals in the USA including the 2001 Worship and Rejoice. It was an American suggestion to set stz 1.4–5 in their present order, rather than the reverse as in an earlier draft.
Set first to W K Stanton’s SILCHESTER (different from 189), the words became known in the USA to BUNESSAN (370), which was the choice for Sing Glory in 1999 but which ‘ruins some of the stresses of the words’ (MS). TILLINGBOURNE is the first of two tunes composed by Gill Berry for these words and this book, in April 1999 at Shrewsbury. The name is that of a stream near her childhood home in Surrey, given to the music ‘because of the watery connections with the words …’.
A look at the author
Saward, Michael John
b Blackheath, SE London 1932; d Switzerland 2015. Eltham Coll; Bristol Univ and Tyndale Hall Bristol (BA); ordained 1956. He ministered in Croydon, Edgware and Liverpool before becoming the C of E’s Radio and TV Officer 1967–72. From 1972 to 1991 he served W London incumbencies in Fulham and Ealing; during the latter he barely survived a vicious attack on himself and his family at the vicarage, by intruders high on drugs. He then became Canon Treasurer of St Paul’s Cathedral from 1991, providing one of the two evangelical voices heard throughout the decade from the cathedral pulpit; some sermons were published in 1997 as These are the Facts (a title from hymn 629). He retired to Wapping, E London, in 2000. He was a Church Commissioner and General Synod member; a prolific writer, speaker and broadcaster on the local and national church, doctrine, mission, liturgy, sexual ethics, baptism and hymnody. His book Signed, Sealed, Delivered: finding the key to the Bible (2004) explores the concept of ‘covenant’ as that key.
From early 1962 onwards he wrote over 100 hymn texts, his first ones including ‘Christ triumphant’ were published in Youth Praise (1966, 1969), followed by several in Psalm Praise (1973) and Hymns for Today’s Church (1982) of which he was words editor. He was a founding Director and later Chairman of Jubilate Hymns, with a leading role in other Jubilate collections including Sing Glory (1999) which features 23 of his hymns. 75 of them were published in 2006, with an introduction and brief notes, in Christ Triumphant and other hymns. In 2009 he initiated and edited Come Celebrate, a unique collection of 291 lesser-known hymn-texts by 20 living authors, 14 of whom are represented in Praise! He said of himself, ‘My style is deliberately punchy and I love to use strong, graphic illustration’. Nos.119D, 162, 166, 249, 291, 446, 525, 592, 629, 635, 656, 849, 865*.