Bless the Lord as day departs

Scriptures:
  • Exodus 27:20-21
  • Leviticus 24:1-4
  • Leviticus 8:35
  • Numbers 6:24-26
  • Numbers 8:1-3
  • Deuteronomy 10:8
  • 1 Samuel 3:2-3
  • 1 Chronicles 23:13
  • 1 Chronicles 9:33
  • 2 Chronicles 29:11
  • Psalms 134:1
  • Psalms 135:1-2
  • Psalms 141:2-3
  • Psalms 28:2
  • Lamentations 3:41
  • Matthew 11:25
  • Matthew 25:1-13
  • Luke 12:35-38
  • Luke 24:50-53
  • Acts 17:24
  • 1 Timothy 1:2
  • 1 Timothy 2:8
  • 2 Timothy 1:2
  • 2 John 3
Book Number:
  • 134

Bless the Lord as day departs,
let your lamps be brightly burning,
lifting holy hands and hearts
to the Lord till day’s returning.

2. As within the darkened shrine,
faithful to their sacred calling,
sons and priests of Levi’s line
blessed the Lord as night was falling;

3. So may we who watch or rest
bless the Lord of earth and heaven;
and by him ourselves be blessed,
grace and peace and mercy given.

© Author / Oxford University Press
Timothy Dudley-Smith

Approaching God - Morning and Evening

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Tune

  • Asthall
    Asthall
    Metre:
    • 78 78
    Composer:
    • Barnard, John

The story behind the hymn

This final ‘Song of Ascents’ in the series which began at Psalm 120 suitably ends in the evening. The song has been much in demand in various forms, and become a part of traditional liturgies for late evening services. Though brief, Timothy Dudley-Smith’s version amplifies this, the second-shortest Psalm in Scripture, in ways which are themselves carefully scriptural. 1 Chronicles 9:33 and 1 Timothy 2:8 are quoted in support in the author’s own notes in Lift Every Heart (1984) where the words are published for the first of many times. He wrote it at Ruan Minor in Aug 1978, looking to Derek Kidner’s commentary (as so often) for wisdom, and also finding that the 78 78 metre was in less use than he had expected. Graham Deans (cf 117, note) has adapted Wm Whittingham’s 16th cent text in Come now with joyful hearts. For some years the TDS version had no recommended tune, but John Barnard’s ASTHALL appeared with it in Psalms for Today, 1990. Asthall is a village between Witney and Burford in Oxfordshire; while teaching in Cheltenham 1971–74, the composer got to know the adjacent A40 fairly well.

A look at the author

Dudley-Smith, Timothy

b Manchester 1926. Tonbridge School, Kent, Pembroke Coll Camb, and Ridley Hall Camb; ordained (CofE) 1950. After ministry at Northumberland Heath (nr Erith, Kent) and Bermondsey (SE London) he worked with the Evangelical Alliance, editing Crusade magazine before moving to the Church Pastoral Aid Society, becoming Gen Sec in 1965. Subsequently he became Archdeacon of Norwich (73–81), then suffragan Bp of Thetford until his retirement to Ford, nr Salisbury, in 1992. A writer of verse (including a mastery of the comic sort) from his youth, he is seen by Prof J R Watson (in The English Hymn, 1997) as igniting the late 20th cent ‘hymn explosion’ with his 1961 Tell out, my soul, the greatness of the Lord, one of the hymns from that period in the widest use. He is the author of over 250 hymn texts in a similar number of hymnals worldwide, first collected in Lift Every Heart (1984), most recently in A House of Praise ( 2003). The latest of 4 smaller supplements, A Door for the Word, appeared in 2006, and 2 smaller booklets of his texts with accompanying music were published in 2001 and 2006: respectively Beneath a Travelling Star and A Calendar of Praise.

For many years the Bible commentator Derek Kidner was a mentor for most of TDS’s early drafts. While some were begun or completed at home, on trains or elsewhere, several were the fruit of family holidays on the Cornish coast, as a pre-breakfast employment (and delight) overlooking the beach near The Lizard. As reviewers have often observed, his texts are notable for their varied metres, disciplined rhyming, and biblical content; the theme of redemption through the cross and the shed blood of our Lord Jesus Christ is a theme encountered consistently, naturally and with variety; so is the fact that ‘the Lord is risen’. Without plagiarising, the hymns deliberately draw on a wide range of earlier poets and other authors for suggested ideas, as the attached notes fully illustrate. 37 items are included in Sing Glory (1999); 18 are in the N American Worship and Rejoice (2001), 9 in the 2005 edn of A Panorama of Christian Hymnody and 33 in the new Anglo- Chinese Hymns of Universal Praise (new edn, 2006). His other books include A Flame of Love: A personal choice of Charles Wesley’s verse ( 1987), Praying with the English Hymn-writers (1989), and a 2 vol biography (the first) of John R W Stott (1999, 2001). He has served on editorial groups for Psalm Praise (1973) and Common Praise (2000), and has addressed and been honoured by both the N American and British Hymn Societies, respectively as Fellow and Hon Vice-President. In 2003 he was awarded the OBE ‘for services to hymnody’. Hymn festivals in Tunbridge Wells and Salisbury, together with an extended BBC ‘Sunday Half Hour’ on New Year’s Eve, marked his 80th birthday at the end of 2006, following the publication of a seasonallyarranged selection of 30 texts in A Calendar of Praise (with music, mostly traditional). In an opening address to the Hymn Soc’s Guildford conference in its 70th year (also 2006), TDS spoke of his (and our) ups and downs as ‘Snakes and Ladders’, concluding with that greatest of ‘ladders’ from Gen 28, referred to in Elizabeth’s Clephane’s text (699) which has meant everything to him: ‘so seems my Saviour’s cross to me/ a ladder up to heaven’. Nos.10, 20, 25, 26, 32, 34, 41, 56, 60, 63, 65, 69B, 72, 73, 91B, 115, 119H, 134, 141, 218, 238, 320, 327, 351, 360, 389, 402, 405, 410, 413, 436, 459, 466, 488, 497, 516, 531, 553, 558, 623, 628, 659, 688, 697, 746, 750, 784, 823, 924, 925, 939, 949, 951, 1001, 1002, 1005, 1006, 1009, 1019, 1020, 1025, 1042, 1077, 1136, 1166, 1174, 1214.