Come, my soul, your plea prepare

Authors:
Scriptures:
  • Numbers 23:10
  • 1 Kings 3:5
  • 2 Chronicles 1:7
  • Esther 5:1-6
  • Psalms 116:15
  • Psalms 23:3
  • Psalms 48:14
  • Psalms 65:2
  • Proverbs 15:29
  • Isaiah 40:31
  • Matthew 11:28-29
  • Matthew 6:5-9
  • Matthew 7:7-11
  • Mark 11:24
  • Luke 11:2-13
  • Luke 18:1
  • Luke 18:13
  • John 14:13-14
  • John 15:16
  • John 15:7
  • John 16:23-24
  • John 6:37
  • Acts 22:10
  • Acts 9:6
  • Galatians 2:20
  • Ephesians 3:17
  • Philippians 4:6-7
  • Hebrews 10:19-22
  • Hebrews 11:13-16
  • Hebrews 9:14
  • 1 Peter 2:11
  • Jude 20
  • Revelation 14:13
Book Number:
  • 603

Come, my soul, your plea prepare,
Jesus loves to answer prayer;
he himself has bid you pray,
therefore will not turn away.

2. You are coming to a king;
large petitions with you bring,
for his grace and power are such,
none can ever ask too much.

3. With my burden I begin:
Lord, remove this load of sin;
let your blood, for sinners spilt,
set my conscience free from guilt.

4. Lord, I come to you for rest,
be my heart’s most welcome guest;
there your blood-bought right maintain
and without a rival reign.

5. While I am a pilgrim here,
let your love my spirit cheer;
as my guide, my guard, my friend,
lead me to my journey’s end.

6. Show me what I have to do;
every hour my strength renew;
let me live a life of faith;
let me die your people’s death.

John Newton 1725-1807

The Church - The Life of Prayer

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Tune

  • Vienna
    Vienna
    Metre:
    • 77 77
    Composer:
    • Knecht, Justin Heinrich

The story behind the hymn

This second of John Newton’s hymns from 1 Kings 3:5 (also from the 1779 Olney Hymns; see note to 602) was originally in 7 stzs beginning ‘Come, my soul, thy suit …’, and is something of a test case for the alteration of a once well-known but now puzzling first line. The fact that ‘suit’ is still used in some legal senses does not help those singers who are simply amused by the archaism; ‘plea’, itself retaining a legal usage, is becoming more commonly accepted as in the Anglican Hymn Book, PHRW etc. It may be more problematic to drop Newton’s vivid 5th stz, though this is a usual omission: ‘As the image in the glass/ answers the beholder’s face,/ thus unto my heart appear,/ print thine own resemblance here.’ The other significant change comes at 4.2, from ‘take possession of my breast.’ The final line is a rare reference to Balaam’s unwilling but prophetic prayer in Numbers 23:10. The hymn was a favourite of C H Spurgeon, who included it regularly at the Metropolitan Tabernacle.

Justin H Knecht’s simple but effective tune VIENNA (named by W H Havergal c1855) was composed soon after the words, though not linked with them until much later. While the town’s director of music at Biberarch near Stuttgart in W Germany, he co-edited (with J F Christmann) the 1799 Vollständige Sammlung … , where it is set to the hymn Ohne Rast und unverweilt. It is consequently also known as OHNE RAST (‘without rest’); sometimes as RAVENNA, though the place names seem to have no special significance. Among other words which have since been sung to it are those of 593.

A look at the author

Newton, John

b Wapping, E London 1725, d City of London 1807. His early life ‘might form the groundwork of a story by Defoe, but that it transcends all fiction’—Ellerton. When he was not quite 7 his godly mother died; his father, a merchant navy captain, found the new situation, and his son, hard to handle but took him to sea when he was 11. Back on shore at 18 or 19 John was press-ganged for the royal navy, and recaptured and flogged after desertion. A life of increasing godlessness and depravity on board ship was relieved only by his love for Mary Catlett of Chatham, Kent, whom he had met when he was 17 and she was 14. But he had to sink as low as to be ‘a servant of slaves’ (JN) on the W African coast, and have many brushes with death, when the only book he had was a copy of Euclid’s geometry. Strangely still a non-swimmer, he was almost drowned during a storm at sea before (even more surprisingly) he dipped into The Imitation of Christ by Thomas à Kempis and eventually ‘came to himself’. After a series of providential events he finally arrived on the Irish coast. Now 23, he renewed his attachment to Mary before another African voyage as ship’s mate; this time he was laid low by fever, but during that time made his decisive Christian commitment—or rather, simply cast himself on the mercy of God in Christ. In 1750 John and Mary were married. He accompanied or captained several ships on the notorious Atlantic slavetrade, and came with what seems surprising slowness to see the inconsistency of this with his growing Christian faith. Eventually he was to be a supporter of Wm Wilberforce, Thos Clarkson, Granville Sharp and James Stephen; while he came to oppose slavery itself, he was not as consistent or prominent a campaigner as they, and did not list the trade among Britain’s national sins. Further illness in 1754 compelled him to give up his seafaring career and he spent 9 years as Liverpool’s tide surveyor, including leading a large team of inspectors for contraband. He made a friend of Wm Grimshaw, vicar of Haworth, and of Lord Dartmouth who read his story in ms (see also under Fawcett and Haweis). With Dartmouth’s help and after many difficulties he was admitted to ordination (CofE) and in 1764 became curate, effectively incumbent, of Olney, Bucks.

Here Newton became the means of enlightening his neighbour clergyman Thos Scott, whose cynical rationalism was transformed through Newton’s patient and courteous witness into clear evangelical faith. Scott became a noted Bible commentator and published his testimony (re-issued in the 20th c) as The Force of Truth. More famously, Newton became the close friend of William Cowper (qv); he compiled the Olney Hymns (1779) partly with a view to helping Cowper to regain a sense of purpose and use his poetic gifts for the gospel; JN’s Preface claims that ‘I am not conscious of having written a single line with an intention, either to flatter or to offend any party or person on earth’. While many of Newton’s hymns on prayer are searching and lasting (and ‘grace’ is a favourite word), his positive, objective cheerfulness generally provides an excellent foil to Cowper’s sometimes wistful and questioning introspection. Comparisons of the two men’s contributions are common; Montgomery is typical in elevating Cowper, but Lord Selborne speaks for others in balancing Newton’s ‘manliness’ with his friend’s ‘tenderness’, and in clear biblical doctrine they were one. One unexpected result of the book and a sign of its wide and enduring influence was the spur it gave to the RC convert F W Faber (1814–63), as he acknowledged, to try to emulate it for his fellow-Romans some 75 years later. Some extraordinary ‘invective’ (Dr W T Cairns’s word, HSB16, July 1941) has been directed against Newton, by David Cecil and others, for his supposedly malign influence on Cowper. His article examines the evidence for and against such assertions, observing incidentally that ‘neither Cowper nor Newton seems to have been conscious of the alleged unfortunate effect of this association’. JN features more positively in some lines from Wordsworth’s major autobiographical poem The Prelude (begun 1798, final posthumous version 1850), Bk 6.

In 1779 Newton became Rector of St Mary Woolnoth in the City of London, where at that time evangelical incumbents were almost unknown. He ministered there until his death, having lost much of his hearing and sight, surviving his beloved Mary by 17 years. Among other publications, some posthumous, were his sermons and even more remarkable letters to many friends (Cardiphonia, partly republished in the 1960s). A memorial tablet in the city church outlines his story, which has often been made the subject of popular biographies. Among recent books are Brian Edwards’ Through Many Dangers (1975, revised edn 1980), Bernard Braley’s study in Hymnwriters 2 (1989), and Steve Turner’s Amazing Grace (2002; see Introduction to the present book); all of which are complemented by Adam Hochschild’s eloquently disturbing Bury the Chains: the British struggle to abolish slavery (2005). Until fairly recently brief biographical notes on Newton made no mention of Amazing grace; for many now it seems to be the most important fact about him. The John Newton Project currently aims to promote evangelical renewal through the study and appreciation of Newton’s contribution to gospel work and the ending of the slave trade 2 centuries ago. In 2000 Marilynn Rouse, founder leader of the Project, published her edited and annotated edn of Richard Cecil’s 1808 biography. Nos.276, 299, 313*, 326, 570, 600, 602, 603, 607, 717, 767, 772, 791, 875, 903, 958.