Come quickly, Lord, and hear the cries
- Psalms 123:1-2
- Psalms 134:2
- Psalms 141:8
- Psalms 25:15-17
- Psalms 28:2
- Psalms 34:13
- Matthew 7:14
- Hebrews 12:2
- Hebrews 13:15
- 2 Peter 1:19
- Revelation 22:12
- Revelation 22:20
- Revelation 3:11
- Revelation 5:8
- 141
Come quickly, Lord, and hear the cries
my heart and hands uplifted raise;
and let my prayer as incense rise,
an evening sacrifice of praise.
Guard now the lips that speak your name,
lest they, and I, be put to shame.
2. And if my steps should go astray
and from the path of truth I move,
restore me to your narrow way
and in your mercy, Lord, reprove;
from love of self my soul defend,
and wound me as a faithful friend.
3. When at the last, O Lordour God,
we look to you alone to save,
the plough of judgement breaks the clod,
and bones are scattered from the grave:
our Rock, our Refuge and our Tower,
protect us in the final hour.
4. We fix our eyes upon you, Lord,
and tune our ears to hear your voice;
our hearts by faith receive your word
and in your promises rejoice.
Till morning breaks and night is gone,
in God we trust, and journey on.
© Author / Oxford University Press
Timothy Dudley-Smith
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Tunes
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Benediction Metre: - 88 88 88
Composer: - Dickinson, Charles John
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Aldersgate Street Metre: - 88 88 88
Composer: - Horner, Egbert Forster
The story behind the hymn
What is clearly an evening Psalm, traditionally used as such in Christian churches, receives fresh treatment in this forward-looking text by Timothy Dudley-Smith. It was written at Ford nr Salisbury in Dec 1997 and issued the following Oct with the author’s annual collection, including 2 other paraphrases appearing here as 26 and 60. The opening words suggest the prayer at the close of the NT (Revelation 22:20), and other lines have further biblical resonances while remaining close to the thought of the Psalm. TDS expounds the ‘plough’ (3.3) in terms of judgement. ‘Guard now the lips …’ says 1.5 (v3 of the Psalm); Calvin expounds, ‘David acknowledges the need of the influence of the Spirit for the regulation of his tongue and of his mind, particularly when tempted to be exasperated by the insolence of opposition … What a busy workshop is the heart of man, and what a host of devices is there manufactured every moment! If God does not watch over our heart and tongue, there will confessedly be no bounds to words and thoughts of a sinful kind—so rare a gift of the Spirit is moderation in language.’ The selected tune BENEDICTION (the author having suggested 3 others) is from the Companion Tunes to Gadsby’s Hymn Book, 3rd edn 1936. It was composed by Dublin-born Charles J Dickinson in the mid-19th c.
A look at the author
Dudley-Smith, Timothy
b Manchester 1926. Tonbridge School, Kent, Pembroke Coll Camb, and Ridley Hall Camb; ordained (CofE) 1950. After ministry at Northumberland Heath (nr Erith, Kent) and Bermondsey (SE London) he worked with the Evangelical Alliance, editing Crusade magazine before moving to the Church Pastoral Aid Society, becoming Gen Sec in 1965. Subsequently he became Archdeacon of Norwich (73–81), then suffragan Bp of Thetford until his retirement to Ford, nr Salisbury, in 1992. A writer of verse (including a mastery of the comic sort) from his youth, he is seen by Prof J R Watson (in The English Hymn, 1997) as igniting the late 20th cent ‘hymn explosion’ with his 1961 Tell out, my soul, the greatness of the Lord, one of the hymns from that period in the widest use. He is the author of over 250 hymn texts in a similar number of hymnals worldwide, first collected in Lift Every Heart (1984), most recently in A House of Praise ( 2003). The latest of 4 smaller supplements, A Door for the Word, appeared in 2006, and 2 smaller booklets of his texts with accompanying music were published in 2001 and 2006: respectively Beneath a Travelling Star and A Calendar of Praise.
For many years the Bible commentator Derek Kidner was a mentor for most of TDS’s early drafts. While some were begun or completed at home, on trains or elsewhere, several were the fruit of family holidays on the Cornish coast, as a pre-breakfast employment (and delight) overlooking the beach near The Lizard. As reviewers have often observed, his texts are notable for their varied metres, disciplined rhyming, and biblical content; the theme of redemption through the cross and the shed blood of our Lord Jesus Christ is a theme encountered consistently, naturally and with variety; so is the fact that ‘the Lord is risen’. Without plagiarising, the hymns deliberately draw on a wide range of earlier poets and other authors for suggested ideas, as the attached notes fully illustrate. 37 items are included in Sing Glory (1999); 18 are in the N American Worship and Rejoice (2001), 9 in the 2005 edn of A Panorama of Christian Hymnody and 33 in the new Anglo- Chinese Hymns of Universal Praise (new edn, 2006). His other books include A Flame of Love: A personal choice of Charles Wesley’s verse ( 1987), Praying with the English Hymn-writers (1989), and a 2 vol biography (the first) of John R W Stott (1999, 2001). He has served on editorial groups for Psalm Praise (1973) and Common Praise (2000), and has addressed and been honoured by both the N American and British Hymn Societies, respectively as Fellow and Hon Vice-President. In 2003 he was awarded the OBE ‘for services to hymnody’. Hymn festivals in Tunbridge Wells and Salisbury, together with an extended BBC ‘Sunday Half Hour’ on New Year’s Eve, marked his 80th birthday at the end of 2006, following the publication of a seasonallyarranged selection of 30 texts in A Calendar of Praise (with music, mostly traditional). In an opening address to the Hymn Soc’s Guildford conference in its 70th year (also 2006), TDS spoke of his (and our) ups and downs as ‘Snakes and Ladders’, concluding with that greatest of ‘ladders’ from Gen 28, referred to in Elizabeth’s Clephane’s text (699) which has meant everything to him: ‘so seems my Saviour’s cross to me/ a ladder up to heaven’. Nos.10, 20, 25, 26, 32, 34, 41, 56, 60, 63, 65, 69B, 72, 73, 91B, 115, 119H, 134, 141, 218, 238, 320, 327, 351, 360, 389, 402, 405, 410, 413, 436, 459, 466, 488, 497, 516, 531, 553, 558, 623, 628, 659, 688, 697, 746, 750, 784, 823, 924, 925, 939, 949, 951, 1001, 1002, 1005, 1006, 1009, 1019, 1020, 1025, 1042, 1077, 1136, 1166, 1174, 1214.