Glorious things of you are spoken

John Newton’s text in the Olney Hymns Bk 1 (1779) comes under Isaiah in its, Scripture order, with a reference to Isaiah 33:27,28 (clearly an error for vv20–21); but line 1 directly quotes Psalm 87:3; cf 87 in Praise! 3 sermons relating to the hymn (see note to 299) expound 2 Samuel 23:5 and major on the (everlasting) covenant of God’s grace. In the Hymns it is separated by a single page from How sweet the name of Jesus sounds (299), and these two must be accounted the finest of all Newton’s verses—despite the admirers of Amazing grace (772). It even ‘gathered to itself all the best in the English eighteenth century’ (Routley), by its confident Calvinist cheerfulness. There were originally 5 stzs, of which the 4th began ‘Blest inhabitants of Zion/ wash’d in the Redeemer’s blood …’ which most editors are now content to drop. The 2nd half of stz 3 is often changed, as here; not only have editors been less than keen on ‘Thus deriving from their banner … safe they feed upon the Manna’, but the original ‘… when they pray’ suggests a condition for the gift which is no part of the Exodus story. Other revisions have ‘… on their way’. (PHRW faces the problem by combining stzs 3 and 4, using the first halves of each.) The final stz began ‘Saviour, if …’ which may today suggest a doubt which would not have been the author’s intention. Similarly 4.5, ‘Fading is the worldling’s pleasure’, has puzzled many; hence the plural in this version as elsewhere.

Not the least factor in the hymn’s popularity has been its setting to two tunes of the first rank, one from the late 18th c (AUSTRIA, see notes on 195) and one from the mid-20th. Both have been set to many other texts. Cyril Taylor composed ABBOT’S LEIGH in 1941, for this hymn equally with Praise the Lord, You heavens, adore him (195). He was then Assistant Head of the BBC’s Religious Broadcasting, which in wartime received complaints about the use of German tunes for its hymns. He wrote in 1984 that he remembered the letters, but not that his tune was a conscious response to them. The idea of providing a new tune for Glorious things ‘may have been floating around somewhere underneath, and on one Sunday morning in [May] 1941 rose to the surface’. Assuming that his tune would be played in the key of D major, he added: ‘Please make a real effort to sing the third melody note from the end as D, not F sharp. It’s much better that way!’ (Hymns for Today Discussed p9—the equivalent here being middle C, not E). The tune was printed first on an OUP leaflet, then in the 1950 A&M and in countless books since. Dr Lionel Dakers is not alone in referring to it as one of the great 20th-c hymn tunes. In 1941 Canon Taylor’s BBC work was based in Bristol; Abbot’s Leigh is a leafy suburb on its western fringes across the river Avon, where he was staying in the vicarage at that time. The opening (not closing) bars of the tune are engraved on his memorial stone in the cloisters of Salisbury Cathedral.

b Wapping, E London 1725, d City of London 1807. His early life ‘might form the groundwork of a story by Defoe, but that it transcends all fiction’—Ellerton. When he was not quite 7 his godly mother died; his father, a merchant navy captain, found the new situation, and his son, hard to handle but took him to sea when he was 11. Back on shore at 18 or 19 John was press-ganged for the royal navy, and recaptured and flogged after desertion. A life of increasing godlessness and depravity on board ship was relieved only by his love for Mary Catlett of Chatham, Kent, whom he had met when he was 17 and she was 14. But he had to sink as low as to be ‘a servant of slaves’ (JN) on the W African coast, and have many brushes with death, when the only book he had was a copy of Euclid’s geometry. Strangely still a non-swimmer, he was almost drowned during a storm at sea before (even more surprisingly) he dipped into The Imitation of Christ by Thomas à Kempis and eventually ‘came to himself’. After a series of providential events he finally arrived on the Irish coast. Now 23, he renewed his attachment to Mary before another African voyage as ship’s mate; this time he was laid low by fever, but during that time made his decisive Christian commitment—or rather, simply cast himself on the mercy of God in Christ. In 1750 John and Mary were married. He accompanied or captained several ships on the notorious Atlantic slavetrade, and came with what seems surprising slowness to see the inconsistency of this with his growing Christian faith. Eventually he was to be a supporter of Wm Wilberforce, Thos Clarkson, Granville Sharp and James Stephen; while he came to oppose slavery itself, he was not as consistent or prominent a campaigner as they, and did not list the trade among Britain’s national sins. Further illness in 1754 compelled him to give up his seafaring career and he spent 9 years as Liverpool’s tide surveyor, including leading a large team of inspectors for contraband. He made a friend of Wm Grimshaw, vicar of Haworth, and of Lord Dartmouth who read his story in ms (see also under Fawcett and Haweis). With Dartmouth’s help and after many difficulties he was admitted to ordination (CofE) and in 1764 became curate, effectively incumbent, of Olney, Bucks.

Here Newton became the means of enlightening his neighbour clergyman Thos Scott, whose cynical rationalism was transformed through Newton’s patient and courteous witness into clear evangelical faith. Scott became a noted Bible commentator and published his testimony (re-issued in the 20th c) as The Force of Truth. More famously, Newton became the close friend of William Cowper (qv); he compiled the Olney Hymns (1779) partly with a view to helping Cowper to regain a sense of purpose and use his poetic gifts for the gospel; JN’s Preface claims that ‘I am not conscious of having written a single line with an intention, either to flatter or to offend any party or person on earth’. While many of Newton’s hymns on prayer are searching and lasting (and ‘grace’ is a favourite word), his positive, objective cheerfulness generally provides an excellent foil to Cowper’s sometimes wistful and questioning introspection. Comparisons of the two men’s contributions are common; Montgomery is typical in elevating Cowper, but Lord Selborne speaks for others in balancing Newton’s ‘manliness’ with his friend’s ‘tenderness’, and in clear biblical doctrine they were one. One unexpected result of the book and a sign of its wide and enduring influence was the spur it gave to the RC convert F W Faber (1814–63), as he acknowledged, to try to emulate it for his fellow-Romans some 75 years later. Some extraordinary ‘invective’ (Dr W T Cairns’s word, HSB16, July 1941) has been directed against Newton, by David Cecil and others, for his supposedly malign influence on Cowper. His article examines the evidence for and against such assertions, observing incidentally that ‘neither Cowper nor Newton seems to have been conscious of the alleged unfortunate effect of this association’. JN features more positively in some lines from Wordsworth’s major autobiographical poem The Prelude (begun 1798, final posthumous version 1850), Bk 6.

In 1779 Newton became Rector of St Mary Woolnoth in the City of London, where at that time evangelical incumbents were almost unknown. He ministered there until his death, having lost much of his hearing and sight, surviving his beloved Mary by 17 years. Among other publications, some posthumous, were his sermons and even more remarkable letters to many friends (Cardiphonia, partly republished in the 1960s). A memorial tablet in the city church outlines his story, which has often been made the subject of popular biographies. Among recent books are Brian Edwards’ Through Many Dangers (1975, revised edn 1980), Bernard Braley’s study in Hymnwriters 2 (1989), and Steve Turner’s Amazing Grace (2002; see Introduction to the present book); all of which are complemented by Adam Hochschild’s eloquently disturbing Bury the Chains: the British struggle to abolish slavery (2005). Until fairly recently brief biographical notes on Newton made no mention of Amazing grace; for many now it seems to be the most important fact about him. The John Newton Project currently aims to promote evangelical renewal through the study and appreciation of Newton’s contribution to gospel work and the ending of the slave trade 2 centuries ago. In 2000 Marilynn Rouse, founder leader of the Project, published her edited and annotated edn of Richard Cecil’s 1808 biography. Nos.276, 299, 313*, 326, 570, 600, 602, 603, 607, 717, 767, 772, 791, 875, 903, 958.