God has promised many things

Like several of Martin Leckebusch’s other texts written in Gloucester in the 1990s, this hymn from Oct 1991 appealed to the editors of both Sing Glory (1999, the first hymnal to include it) and Praise! The 1st and last stzs are built on 2 Corinthians 1:20; the opening lines being quickly followed by a reference to Romans 8:32. In his own More than Words (2000) the author adds 4 other Scriptures and names as themes ‘The covenant God’, ‘Faith in God’ (notably at 2.1, 3.1, 3.5), and ‘Walking with God’.

Of the author’s 3 recommended tunes, SG opts for CALON LÂN (here 91A) and this book for LITTLE HEATH. For notes on David Wilson’s tune, see 451 where it is arranged in the key of E flat. Both versions differ from those in Youth Praise and HTC.

b Leicester 1962. King Edward VII Coll, Coalville, Leics; Oriel Coll Oxford; BA/MA (Maths) 1983; Brunel Univ Middx, MSc (Numerical Analysis) 1984. He worked for 16 yrs as a Computer Systems Programmer, followed by 5 as Support Specialist. In 2006 he was redirected to the role of Technical Design Authority for the IBM mainframe platform within Lloyds TSB. He has belonged to various CofE and Free Churches, including 6 yrs as a Methodist Local Preacher (1992–1998); currently a member of Kendal Rd Baptist Ch, Longlevens, Gloucester since 2001. His hymn-writing began in 1987; 144 hymn texts were collected in More than Words, 2000, some of which had appeared in earlier books including NewStart (1999, 6 hymns in a total of 71), Sing Glory (14 hymns), and Praise! A collection of 150 texts based on the Psalms, for singing to well-known tunes, appeared in 2006, giving a total of 275 texts by then in print. 6 of these are in Carol Praise (2006). In that year he also joined the Text Advisory Group (TAG) of Jubilate Hymns which he later chaired, and he also consults regularly with representatives of the more informal songwriters; he is active in the Hymn Soc, and lives with his family in Gloucester. In the 2005 edn of A Panorama of Christian Hymnody, which features 2 of his texts, Paul A Richardson notes their ‘conservative theology, biblical imagery and structural ingenuity’, adding that ML ‘advocates a restoration of hymnody in traditional forms to those who, like him, are in the charismatic wing of the church’. He is also keen to explore some issues often neglected by contemporary writers. By 2010, which saw the publication of a further collection Never Let the Songs End, the total number of his hymns had exceeded 400. Nos.270, 278, 285, 322, 381, 586, 604, 665, 756, 770, 771, 841, 856, 882, 892, 926, 936, 942, 1023, 1029, 1111, 1112, 1113, 1114, 1123, 1124, 1125, 1139, 1140, 1141, 1142, 1167, 1168, 1170, 1171, 1173, 1176, 1177, 1182, 1194, 1196, 1197, 1202, 1206, 1207, 1208, 1217, 1240, 1243.