God of the world's great cities
- Genesis 11:1-9
- 2 Kings 19:30-31
- Ezra 9:8
- Nehemiah 1:3
- Psalms 141:8
- Psalms 48:1-3
- Psalms 48:8-14
- Psalms 53:1
- Psalms 87:1-3
- Isaiah 1:9
- Isaiah 37:31-32
- Jeremiah 23:3
- Jeremiah 29:7
- Jeremiah 42:2
- Ezekiel 14:22-23
- Ezekiel 24:6
- Ezekiel 28
- Ezekiel 6:8
- Joel 2:32
- Amos 5:3
- Amos 9:13-15
- Obadiah 17
- Nahum 3:1-4
- Haggai 1:14
- Zechariah 6:12
- Zechariah 8:3-5
- Matthew 11:28
- Luke 1:51
- Luke 19:10
- John 19:11
- Acts 17:27-28
- 1 Corinthians 1:13-31
- Hebrews 11:10
- James 5:2-3
- Revelation 1:8
- Revelation 21:10-11
- Revelation 21:2
- 621
God of the world’s great cities
with all their soaring towers,
as commerce builds its empires
and multiplies its powers:
this is the earth that Jesus trod;
do not abandon us, O God!
2. God of the crushed and broken
whose burdens Jesus bore,
in park and street and subway
you seek the hopeless poor:
still come to find them and to save
whose city is their lifelong grave.
3. God of the friends and neighbours
whose pleasures Jesus knew,
whose births and deaths and weddings
bring tangled thoughts of you:
in you they live and grow and move;
O, let them taste your total love!
4. God of the proud and mighty,
when crime or folly rules
remove earth’s vicious tyrants,
restrain its godless fools:
grant those you keep in their high place
to love your truth, and know your grace.
5. God of the struggling remnant
baptized to bear that name
which at the end of all things
shall stand alone, supreme:
O, help your church, by your strong hand,
confessing Christ, in Christ to stand.
6. God of the dawning kingdom,
while human wealth decays
you build a different city
of pure and lasting praise:
here let your people live, O Lord,
in Christ refashioned and restored.
© 1991 Author and Stainer & Bell Ltd
Christopher Idle
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The story behind the hymn
The church’s hymns up to and well into the 20th c have been dominated by rural imagery. ‘This text’, writes its author,‘expresses some urban realities from a time when the Limehouse landscape was rapidly changing’. But it is also a hymn about mission; Christopher Idle was rector of that E London parish when he wrote the words in Aug 1980, the church’s 250th anniversary year. 6 years later he revised them, and they first appeared in print in 1991, in the Hymns and Congregational Songs series (vol 2 3) from Stainer and Bell. Between the time of its writing and first publication, much of the neighbourhood giving rise to the hymn had changed almost beyond recognition. Mervyn Horder composed tunes for more than a dozen of CMI’s texts— see also 121A, where the music came first, and 917. Like most of them, STALHAM is named after a Norfolk village, in this case one NE of Norwich. He adapted it from an unpublished wedding march he had composed some years previously; it appeared with the words in 1991, then in a Church Urban Fund ‘worship resource pack’ (1997), and is included here in Margaret Ellis’s arrangement, for the first time in a hymnal. The composer would have preferred the text to end with stz 5.
A look at the author
Idle, Christopher Martin
b Bromley, Kent 1938. Eltham Coll, St Peter’s Coll Oxford (BA, English), Clifton Theol Coll Bristol; ordained in 1965 to a Barrow-in-Furness curacy. He spent 30 years in CofE parish ministry, some in rural Suffolk, mainly in inner London (Peckham, Poplar and Limehouse). Author of over 300 hymn texts, mainly Scripture based, collected in Light upon the River (1998) and Walking by the River (2008), Trees along the River (2018), and now appearing in some 300 books and other publications; see also the dedication of EP1 (p3) to his late wife Marjorie. He served on 5 editorial groups from Psalm Praise (1973) to Praise!; his writing includes ‘Grove’ booklets Hymns in Today’s Language (1982) and Real Hymns, Real Hymn Books (2000), and The Word we preach, the words we sing (Reform, 1998). He edited the quarterly News of Hymnody for 10 years, and briefly the Bulletin of the Hymn Society, on whose committee he served at various times between 1984 and 2006; and addressed British and American Hymn Socs. Until 1996 he often exchanged draft texts with Michael Perry (qv) for mutual criticism and encouragement. From 1995 he was engaged in educational work and writing from home in Peckham, SE London, until retirement in 2003; following his return to Bromley after a gap of 40 years, he has attended Holy Trinity Ch Bromley Common and Hayes Lane Baptist Ch. Owing much to the Proclamation Trust, he also belongs to the Anglican societies Crosslinks and Reform, together with CND and the Christian pacifist Fellowship of Reconciliation. A former governor of 4 primary schools, he has also written songs for school assemblies set to familiar tunes, and (in 2004) Grandpa’s Amazing Poems and Awful Pictures. His bungalow is smoke-free, alcohol-free, car-free, gun-free and TV-free. Nos.13, 18, 21, 23A, 24B, 27B, 28, 31, 35, 36, 37, 48, 50, 68, 78, 79, 80, 81, 83, 85, 89, 92, 95, 102, 108, 109, 114, 118, 119A, 121A, 125, 128, 131, 145B, 157, 176, 177, 193*, 313*, 333, 339, 388, 392, 420, 428, 450, 451, 463, 478, 506, 514, 537, 548, 551, 572, 594, 597, 620, 621, 622, 636, 668, 669, 693, 747, 763, 819, 914, 917, 920, 945, 954, 956, 968, 976, 1003, 1012, 1084, 1098, 1138, 1151, 1158, 1159, 1178, 1179, 1181, 1201, 1203, 1204, 1205, 1209, 1210, 1211, 1212, 1221, 1227, 1236, 1237, 1244, 1247, 5017, 5018, 5019, 5020.