Help me, O God, and hear my cry

Themes:
Scriptures:
  • Psalms 19:12-13
  • Psalms 32:6
  • Psalms 69:36
  • Matthew 8:8
  • Luke 7:7
Book Number:
  • 69B

Help me, O God, and hear my cry
extend to me your saving hand,
the waters rise, the floods are high,
my feet have found no place to stand:
now, lest the depths become my grave,
O God of hosts, draw near and save.

2. My secret faults, my sin and shame,
lie open, Lord, before your face,
yet in my heart I love your name
and all my hope is in your grace:
Lord, in your mercy, think on me;
speak but the word, and set me free.

3. So shall I praise the God of love,
with heaven and earth and sea and sky,
who hears us from his throne above
and lifts his ransomed people high,
to sound his praise in ceaseless song
where all who love his name belong.

© Author / Oxford University Press
Timothy Dudley-Smith

Psalms

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Tune

  • Ad Astra
    Ad Astra
    Metre:
    • 88 88 88
    Composer:
    • Ley, Henry George

The story behind the hymn

This alternative and more condensed text was one of 6 metrical Psalms issued by Timothy Dudley-Smith in 1997 and all included in Praise! It was written at home in Ford in Dec 1996 and headed 'based on parts of Psalm 69'. 'Missing' verses include 4, 8–12, 15, 21–29, 31,35. 'My guide here, as so often, has been Derek Kidner, who … helped me to see that it is no rejection of Scripture to see that not all is suited for the corporate worship of a Christian congregation' —TDS. Although he explains that these selective lines 'do not attempt to enter into the psalm's pre-figuring of the sufferings of Christ', the final couplet of stz 2 suggests gospel moments such as Luke 7:7 and 23:42. H F Lyte does more than suggest, in his 'Lord, I would stand with thoughtful eye/ beneath thy fatal tree,/ and see thee bleed, and see thee die,/ and think, What love to me!' Michael Perry wrote two 12-line versions, When the waters cover me and When my sorrows cover me. The tune AD ASTRA ('to the stars', from the RAF motto), known mainly from the 1950 A and M, was composed by Henry Ley for Edward Blakeney's Lord of the worlds, unseen or seen (a hymn 'for airmen') and published with those words in 1941 in the 'SPCK Church Music' series. Stz 1 features ‘the course of every star'; ironically the tune is here associated with sinking to the depths, but in stz 3 the cry ascends on high.

A look at the author

Dudley-Smith, Timothy

b Manchester 1926. Tonbridge School, Kent, Pembroke Coll Camb, and Ridley Hall Camb; ordained (CofE) 1950. After ministry at Northumberland Heath (nr Erith, Kent) and Bermondsey (SE London) he worked with the Evangelical Alliance, editing Crusade magazine before moving to the Church Pastoral Aid Society, becoming Gen Sec in 1965. Subsequently he became Archdeacon of Norwich (73–81), then suffragan Bp of Thetford until his retirement to Ford, nr Salisbury, in 1992. A writer of verse (including a mastery of the comic sort) from his youth, he is seen by Prof J R Watson (in The English Hymn, 1997) as igniting the late 20th cent ‘hymn explosion’ with his 1961 Tell out, my soul, the greatness of the Lord, one of the hymns from that period in the widest use. He is the author of over 250 hymn texts in a similar number of hymnals worldwide, first collected in Lift Every Heart (1984), most recently in A House of Praise ( 2003). The latest of 4 smaller supplements, A Door for the Word, appeared in 2006, and 2 smaller booklets of his texts with accompanying music were published in 2001 and 2006: respectively Beneath a Travelling Star and A Calendar of Praise.

For many years the Bible commentator Derek Kidner was a mentor for most of TDS’s early drafts. While some were begun or completed at home, on trains or elsewhere, several were the fruit of family holidays on the Cornish coast, as a pre-breakfast employment (and delight) overlooking the beach near The Lizard. As reviewers have often observed, his texts are notable for their varied metres, disciplined rhyming, and biblical content; the theme of redemption through the cross and the shed blood of our Lord Jesus Christ is a theme encountered consistently, naturally and with variety; so is the fact that ‘the Lord is risen’. Without plagiarising, the hymns deliberately draw on a wide range of earlier poets and other authors for suggested ideas, as the attached notes fully illustrate. 37 items are included in Sing Glory (1999); 18 are in the N American Worship and Rejoice (2001), 9 in the 2005 edn of A Panorama of Christian Hymnody and 33 in the new Anglo- Chinese Hymns of Universal Praise (new edn, 2006). His other books include A Flame of Love: A personal choice of Charles Wesley’s verse ( 1987), Praying with the English Hymn-writers (1989), and a 2 vol biography (the first) of John R W Stott (1999, 2001). He has served on editorial groups for Psalm Praise (1973) and Common Praise (2000), and has addressed and been honoured by both the N American and British Hymn Societies, respectively as Fellow and Hon Vice-President. In 2003 he was awarded the OBE ‘for services to hymnody’. Hymn festivals in Tunbridge Wells and Salisbury, together with an extended BBC ‘Sunday Half Hour’ on New Year’s Eve, marked his 80th birthday at the end of 2006, following the publication of a seasonallyarranged selection of 30 texts in A Calendar of Praise (with music, mostly traditional). In an opening address to the Hymn Soc’s Guildford conference in its 70th year (also 2006), TDS spoke of his (and our) ups and downs as ‘Snakes and Ladders’, concluding with that greatest of ‘ladders’ from Gen 28, referred to in Elizabeth’s Clephane’s text (699) which has meant everything to him: ‘so seems my Saviour’s cross to me/ a ladder up to heaven’. Nos.10, 20, 25, 26, 32, 34, 41, 56, 60, 63, 65, 69B, 72, 73, 91B, 115, 119H, 134, 141, 218, 238, 320, 327, 351, 360, 389, 402, 405, 410, 413, 436, 459, 466, 488, 497, 516, 531, 553, 558, 623, 628, 659, 688, 697, 746, 750, 784, 823, 924, 925, 939, 949, 951, 1001, 1002, 1005, 1006, 1009, 1019, 1020, 1025, 1042, 1077, 1136, 1166, 1174, 1214.