I cannot tell why he whom angels worship

Scriptures:
  • Exodus 16:7
  • Deuteronomy 7:7-8
  • 1 Chronicles 16:31
  • Psalms 147:3
  • Psalms 29:11
  • Psalms 34:18
  • Psalms 65:7
  • Psalms 66:4
  • Psalms 84:6
  • Psalms 86:9
  • Psalms 89:9
  • Psalms 96:11
  • Isaiah 40:5
  • Isaiah 44:24
  • Isaiah 49:26
  • Isaiah 53:7-8
  • Isaiah 61:1
  • Isaiah 61:11
  • Ezekiel 34:11-16
  • Daniel 7:10
  • Micah 5:2
  • Matthew 1:25
  • Matthew 10:26-28
  • Matthew 11:28-30
  • Matthew 13:24-30
  • Matthew 13:30
  • Matthew 13:43
  • Matthew 14:27
  • Matthew 18:12-14
  • Matthew 2:23
  • Matthew 26:62-63
  • Matthew 27:11-14
  • Matthew 27:29
  • Matthew 8:11
  • Matthew 8:26
  • Mark 1:9
  • Mark 14:61
  • Mark 15:17
  • Mark 4:26-29
  • Mark 4:39
  • Mark 6:50
  • Luke 11:46
  • Luke 12:32
  • Luke 13:29
  • Luke 15:3-5
  • Luke 2:39
  • Luke 2:4-7
  • Luke 2:51
  • Luke 23:33
  • Luke 3:23-38
  • Luke 3:6
  • Luke 4:18
  • Luke 8:24
  • John 1:45-46
  • John 10:11
  • John 10:14-15
  • John 10:16
  • John 11:40
  • John 19:1-5
  • John 19:18
  • John 19:34-37
  • John 19:9
  • John 4:42
  • John 6:20
  • John 9:25
  • Ephesians 3:19
  • 1 Timothy 4:10
  • Titus 2:13
  • Hebrews 1:6
  • 1 Peter 2:21-23
  • 2 Peter 1:19
  • 1 John 3:1
  • 1 John 4:14
  • Revelation 11:15
  • Revelation 14:14-16
  • Revelation 15:4
  • Revelation 21:24-26
  • Revelation 5:11-14
Book Number:
  • 508

I cannot tell why he whom angels worship
should set his love upon the sons of men,
or why as shepherd he should seek the wanderers,
to bring them back, they know not how nor when.
But this I know, that he was born of Mary
when Bethlehem’s manger was his only home,
and that he lived at Nazareth and laboured;
and so the Saviour, Saviour of the world, has come.

2. I cannot tell how silently he suffered
as with his peace he graced this place of tears,
nor how his heart upon the cross was broken,
the crown of pain to three and thirty years.
But this I know, he heals the broken-hearted
and stays our sin and calms our lurking fear,
and lifts the burden from the heavy-laden;
for still the Saviour, Saviour of the world, is here.

3. I cannot tell how he will win the nations,
how he will claim his earthly heritage,
how satisfy the needs and aspirations
of east and west, of sinner and of sage.
But this I know, all flesh shall see his glory,
and he shall reap the harvest he has sown,
and some glad day his sun will shine in splendour,
when he the Saviour, Saviour of the world, is known.

4. I cannot tell how all the lands shall worship,
when at his bidding every storm is stilled,
or who can say how great the jubilation
when all our hearts with love for him are filled.
But this I know, the skies will sound his praises,
ten thousand thousand human voices sing,
and earth to heaven, and heaven to earth, will answer,
‘At last the Saviour, Saviour of the world, is King!’

© Baptist Union of Great Britain
William Y Fullerton 1857-1932

The Son - His Return in Glory

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Tune

The story behind the hymn

William Young Fullerton has an assured place in 20th-c baptist history, as a young member of the Metropolitan Tabernacle (‘Spurgeon’s’) in SE London, and latterly as minister at Leicester’s Melbourne Hall and as Baptist Union President. To all who sing hymns, however, nothing will prolong his reputation so much as this one. It is usually acknowledged that although many have written texts for the music of the LONDONDERRY AIR (see eg 84 and 942 in this book), Fullerton’s words are so far unequalled in matching the movement and feel of the tune. Some puzzle remains about their origin; he seems to have written them in 1929; that is, in his early 70s some 3 years before his death. This date appears in the 1938 Canadian Book of Common Praise, the annotated edn of which says that ‘before 1937 over 100,000 copies of this wonderful hymn were sold’. The main Baptist and Methodist collections of 1933 were the first hymnals to include them. The repeated title ‘the Saviour of the world’ is from John 4:42 and 1 John 4:14; the contrasts in each stz between what is respectively unknown and known may be compared with 406 and 871, and Daniel Whittle’s I know not why God’s wondrous grace. A year or two before writing the hymn, Fullerton said (in Souls of Men, 1927): ‘The very genius of the Gospel makes it clear that it is for all the world … Christ is too great to be a mere tribal Saviour’. Those out of sympathy with missions, he adds, have ‘failed to realize the greatness of Him Who is the Saviour of the world.’ This arrangement of the tune (cf 84 and 942) was made by Christopher Norton for Hymns for the People (1993).

A look at the author

Fullerton, William Young

b Belfast, N Ireland 1857, d Bedford Park, Middx 1932. Raised in a northern Irish Presbyterian home, he spent most of his adult life as a Baptist in England. At the age of 17 his desire to speak for Christ ‘became a purpose’ as he listened to the evangelists Moody and Sankey. Still a young man, counting mountaineering among his interests, he came to London on business in 1875 and began attending the Metropolitan Tabernacle to hear the preaching of C H Spurgeon, who came to be ‘my leader and friend’. He became a Baptist, trained at the Pastor’s College (now ‘Spurgeon’s’), and between 1879 and 1894 travelled throughout the UK leading evangelistic campaigns. He then served for 18 years as pastor of Leicester’s Melbourne Hall, in 1912 becoming Home Sec of the Baptist Missionary Soc; during 5 years in that role he visited Europe, Africa, N America and Asia including China, as ‘not a missionary but a missionary traveller’. In 1917 he was President of the Baptist Union. He wrote biographies including one of C H Spurgeon, of his son Thomas Spurgeon (1856–1914, published 1919) and an autobiography (1917), At the Sixtieth Milestone; in this he concluded ‘We may hope that peace may come’ but distanced himself from some precise ‘prophecies’ being offered at that time. His expository, devotional and mission books including The Practice of Christ’s Presence, Christ in Africa, The Romance of Pitcairn Island, and Souls of Men (1927), which ends with the stz of F W Faber’s hymn providing the title of the book. The hymn included here, as in numerous, mainly evangelical, hymn-books, is the work for which his name is now best-known. He was awarded the DD. No.508.