I stand amazed in the presence
- Psalms 104:33
- Psalms 117
- Psalms 17:15
- Isaiah 53:4-5
- Matthew 2:23
- Matthew 26:36-44
- Matthew 26:71
- Matthew 27:50
- Mark 10:47
- Mark 14:32-39
- Mark 15:37
- Mark 16:6
- Luke 18:37
- Luke 2:39
- Luke 22:39-46
- Luke 23:46
- Luke 4:16
- Luke 4:34
- John 1:45-46
- John 17:20-21
- John 19:30
- John 4:34
- John 5:30
- John 6:38
- Romans 15:3
- Romans 8:3
- Galatians 2:20
- Hebrews 5:7
- 1 Peter 2:24
- 1 John 3:1-2
- 1 John 4:9-10
- Revelation 1:5-6
- Revelation 22:4-5
- Revelation 5:9
- 729
I stand amazed in the presence
of Jesus the Nazarene
and wonder how he could love me,
a sinner condemned, unclean!
How marvellous! how wonderful!
this my song shall ever be:
how marvellous! how wonderful
is my Saviour’s love for me!
2. For me he prayed in the garden
and bowed to the will divine;
he had no tears for his own griefs,
but sweat drops of blood for mine.
3. In pity angels beheld him,
and came from the world of light
to comfort him in the sorrows
he bore for my soul that night.
4. He took my sins and my sorrows,
he made them his very own,
he bore the burden to Calvary
and suffered and died alone.
5. When with the ransomed in glory
his face I at last shall see,
my joy will be through the ages
to sing of his love for me.
Charles H Gabriel 1856-1932
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Tune
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My Saviour's love Metre: - 87 87 with chorus 87 87
Composer: - Gabriel, Charles Hutchinson
The story behind the hymn
In many hymns we sing of Nazareth (as in 406 or 508) and in a few of ‘Jesus of Nazareth’, but this is almost unique in announcing its subject as ‘Jesus the Nazarene’ (Nazaraios from the enigmatic reference in Matthew 2:23). In its style, date and content, Charles Homer Gabriel’s composition qualifies as a classic N American ‘Gospel Song’, with its personal testimony, exclamatory mood, and concluding hope. For the questioning wonder of its opening, cf 740; the distinctively vivid 2nd and 3rd stzs require thoughtful treatment before the joyful refrain takes over. It was published in Edwin O Excell’s Praises in Chicago, 1905, with the author’s tune MY SAVIOUR’S LOVE (traditionally in the key of A flat) which Linda Mawson has newly arranged for the present book. If Pentecostal and Salvationist editors, reflecting the style of their congregations, have done most to maintain that tradition in Britain, this hymn has also been welcomed in CH, GH and MP. It has been used regularly at gospel ‘crusades’ and evangelistic missions, and is the most enduring of the author’s many thousands of compositions. The only significant change comes at 2.2, from ‘he prayed—“Not my will, but thine
A look at the author
Gabriel, Charles Hutchinson
b Wilton, Iowa, USA 1856, d Los Angeles, California 1932. He spent his first 17 years working on the family farm, but also writing verse and teaching himself to play the newly-acquired small reed organ at home. By the time he was 16 he was teaching others too. In 1890 he became Music Director of Grace Methodist Episcopal Ch, San Francisco, then moving to Chicago. During these years he published many books including several song collections. In 1912 he began work with the new Homer Rodeheaver Publications, where he stayed for the remaining 20 years of his life. His most famous composition was ‘the Glory Song’: When all my labours and trials are o’er. Published in 1900, this was associated with the gospel singer Charles M Alexander who sang it to vast meetings in the USA in the early 20th c. In The Baptist Hymnal (for the American Southern Baptists, 1991) there are 6 hymns by Gabriel (text and tune) and 4 more of his tunes to other hymns. He also published under the name ‘Charlotte G Homer’. No.729.