In awe and wonder, Lord our God
- Psalms 102:27
- Psalms 103:20-21
- Psalms 38
- Psalms 46:10
- Isaiah 57:15
- Isaiah 6:1-7
- Jonah 2:9
- Malachi 3:6
- John 17:3
- Galatians 4:9
- 1 Timothy 1:17
- 1 John 1:7-9
- Revelation 15:4
- Revelation 4:6-11
- 166
In awe and wonder, Lord our God,
we bow before your throne;
such holiness and burning love
are yours and yours alone.
2. Angelic spirits, night and day
adore your name on high.
Eternal Lord in majesty
you hear their ceaseless cry.
3. ‘O holy, holy, holy Lord,
great God of power and might,
all-glorious in heaven and earth,
you reign in realms of light.’
4. Your holiness inspires our fear,
evokes and heals our shame;
your boundless wisdom, awesome power,
unchangeably the same.
5. Salvation comes from you alone
which we can never win;
your love revealed on Calvary
is cleansing for our sin.
6. There is no grace to match your grace,
no love to match your love,
no gentleness of human touch
like that of heaven above.
7. On earth we long for heaven’s joy
where bowed before your throne,
we know you, Father, Spirit, Son,
as God, and God alone.
© Author / Jubilate Hymns
This text has been altered by Praise!
An unaltered JUBILATE text can be found at www.jubilate.co.uk
Michael Saward
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Tune
-
Ravensbourne Metre: - CM (Common Metre: 86 86)
Composer: - Mawson, Linda
The story behind the hymn
While correctly credited to Michael Saward, this text has a more complex origin. The author had for years been a friendly critic of F W Faber’s My God, how wonderful thou art (1849), which expressed some valuable truths in baroque/romantic style while failing at crucial points, notably its conclusion. Even the ‘Jubilate’ revision from 1982 failed to satisfy him, so he produced a new hymn written, he says, on 19 Sept 1992 (‘the day of the Jubilate Hymns AGM’) at 1.00 am at home, 6 Amen Court near London’s St Paul’s Cathedral. This arose from the older one but offers a more biblical framework and more of the gospel. In the late 1990s he was chairing the ‘hymn texts’ committee of what became Jubilate’s Sing Glory, while Praise! was also in preparation; both groups debated whether to include this text (if at all) as a revision or a new hymn. In the event SG opted for the earlier revision of Faber while Canon Saward’s text appears here, following its first publication in Hymns for the People in 1993. His opening phrase follows the example of the PHRW adaptation of Watts’ Psalm 139, When I in awe and wonder stand, and also echoes 190 and 287.
The tune WESTMINSTER was in the author’s mind because of its associations with Faber’s text. Perhaps for the same reason the Praise! group (like HFP) looked for a new tune instead. Linda Mawson’s RAVENSBOURNE was composed for Faber’s words in the early 1980s and prepared for a small vocal group at the People’s Hall Evangelical Church (FIEC) at Plumstead in SE London, where it was first sung (cf 133B, note). It is published here to the composer’s double delight; that her tune is ‘set to these lovely words, which share some of the same sense of awe as we approach God’, and that we can draw near to ‘such a God, who actually wants [as Faber put it] “the love of my poor heart��?’. The river Ravensbourne runs through Bromley, giving its name to a former telephone exchange, a surviving railway station, a school, and the neighbourhood where the composer then lived.
A look at the author
Saward, Michael John
b Blackheath, SE London 1932; d Switzerland 2015. Eltham Coll; Bristol Univ and Tyndale Hall Bristol (BA); ordained 1956. He ministered in Croydon, Edgware and Liverpool before becoming the C of E’s Radio and TV Officer 1967–72. From 1972 to 1991 he served W London incumbencies in Fulham and Ealing; during the latter he barely survived a vicious attack on himself and his family at the vicarage, by intruders high on drugs. He then became Canon Treasurer of St Paul’s Cathedral from 1991, providing one of the two evangelical voices heard throughout the decade from the cathedral pulpit; some sermons were published in 1997 as These are the Facts (a title from hymn 629). He retired to Wapping, E London, in 2000. He was a Church Commissioner and General Synod member; a prolific writer, speaker and broadcaster on the local and national church, doctrine, mission, liturgy, sexual ethics, baptism and hymnody. His book Signed, Sealed, Delivered: finding the key to the Bible (2004) explores the concept of ‘covenant’ as that key.
From early 1962 onwards he wrote over 100 hymn texts, his first ones including ‘Christ triumphant’ were published in Youth Praise (1966, 1969), followed by several in Psalm Praise (1973) and Hymns for Today’s Church (1982) of which he was words editor. He was a founding Director and later Chairman of Jubilate Hymns, with a leading role in other Jubilate collections including Sing Glory (1999) which features 23 of his hymns. 75 of them were published in 2006, with an introduction and brief notes, in Christ Triumphant and other hymns. In 2009 he initiated and edited Come Celebrate, a unique collection of 291 lesser-known hymn-texts by 20 living authors, 14 of whom are represented in Praise! He said of himself, ‘My style is deliberately punchy and I love to use strong, graphic illustration’. Nos.119D, 162, 166, 249, 291, 446, 525, 592, 629, 635, 656, 849, 865*.