In Eden fair, a place divine

Scriptures:
  • Genesis 1:26-27
  • Genesis 2:7-15
  • Genesis 3:22-24
  • Psalms 17:15
  • Psalms 25:1-22
  • Psalms 30:4
  • Isaiah 35:10
  • Isaiah 63:1-7
  • Isaiah 65:18-19
  • Ezekiel 36:35
  • Ezekiel 48:35
  • Joel 3:21
  • Matthew 14:33
  • Matthew 24:30-51
  • Matthew 24:36
  • Matthew 26:36-44
  • Matthew 27:54-56
  • Mark 1:1
  • Mark 13:26-37
  • Mark 13:32
  • Mark 14:32-39
  • Mark 15:39
  • Luke 21:27
  • Luke 22:39-46
  • Acts 2:23
  • Acts 9:20
  • Romans 5:17
  • 1 Corinthians 15:22
  • 2 Corinthians 11:3
  • Galatians 2:20
  • Galatians 3:13
  • Galatians 4:4-7
  • Revelation 19:4-6
  • Revelation 21:2-4
  • Revelation 7:17
Book Number:
  • 275

In eden fair, a place divine,
image of God, stood man, created whole;
through Satan’s guile, he fell by sin’s design:
a guilty soul.

2. In ancient days, in Edom far,
there stood a warrior wounded there for me;
he trod the winepress bearing every scar
of love’s decree.

3. In sad Gethsemane he prayed,
and drank the cup of pain, the Father’s will;
for there he wept and angels him sustained,
as time stood still.

4. In God’s full time, eternal plan,
my Saviour stood for me, and in my place
he hung alone, the Son of God and man;
an act of grace.

5. In that great day, ordained above,
the Son of God will come to claim his own,
the sons of grace and sons of sovereign love,
to bring them home.

6. In that blest land, Jerusalem,
no tears are known, for God alone draws near.
The saints are glad and sing the great ‘Amen’,
for God is here.

7. In songs of joy, I’ll ever raise
my thankful heart, adoring God alone;
forever satisfied, on him I’ll gaze
before his throne.

© Author
W Vernon Higham

The Father - His Covenant

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Tune

The story behind the hymn

Because of its 3rd-person mode, this text by Vernon Higham raises no problems with archaic verbs or pronouns; see 178, note. It was published in the author’s collected hymn texts (The Hymns of W Vernon Higham, 1998), appearing there in the section on ‘God the Son’ and headed by 1 Corinthians 15:22. This hymn touches on the whole plan of salvation in terms of both wonder and adoration characteristic of his writing. It also delights in the rich associations of scriptural place-names: Eden, Edom, Gethsemane, Jerusalem. It appears here for the first time in a general hymnal. ELLASGARTH is recommended by the author; Florence Spencer Palmer’s tune was composed for use at Clarendon School, the evangelical foundation near Malvern where she was Director of Music 1929–1947. Originally a unison setting with piano accompaniment and last-stz descant, it was published with 4-part harmony in Congregational Praise (1951), and has been arranged for Praise! by Linda Mawson. In previous books it is set, as originally, to Christina Rossetti’s None other Lamb.

A look at the author

Higham, William Vernon

b Caernarfon, Gwynedd, N Wales 1926. His bilingual family moved to Bolton, Lancashire, in 1939, after years of widespread poverty, and he attended the Welsh Calvinistic Methodist Chapel with them. At the age of 14 he was asked to write an essay on the 1859 Welsh revival, and during his research into contemporary accounts in weekly magazines, the quest for true revival was born in his heart. After some wartime mining, he trained as a teacher at Carmarthen, teaching for a time in Cardiff, including art, and then near Bolton, later preparing for pastoral ministry at Aberystwyth. In 1953, early in his training there, he experienced a deep spiritual conversion. He then ministered in the Welshspeaking churches of Hermon at Pontardulais nr Swansea, and Bethesda at Llanddewi Brefi in W Wales, before being called to the pastorate of Heath Evangelical Church, Cardiff, in 1962. Until then he had preached in English only 6 times. During his second year there he became seriously ill with an affliction which remained with him for 15 more years, during which time the gift of verse which he had coveted seemed to be granted to him; see no.908, note, in EP1. He wrote later, ‘It has been my desire from my early days in the Christian faith to write at least one hymn of some spiritual value’. His hymns have come to be well-known and well sung wherever CH (1977, 2004) is used; 10 of his texts are included there, and 6 in GH (1975) including its extra pages. They have been published as The Hymns of W Vernon Higham (1998), which supersedes 3 smaller collections issued between 1968 and 1981; here the author expresses his aim as to provide ‘simple hymns that express a longing for God and for his influence upon our lives’. After 40 years at Heath which saw its secession from the Presbyterian Ch of Wales, he retired in 2003, but continues a ministry of preaching in many other places including special occasions for several evangelical churches. His hymn texts are predominantly salvation-centred, and he has declined to adapt them for those unused to the archaic pronouns and obsolete verbforms with which he is familiar. His voice has been widely heard through the church’s tape ministry, and other books include the ‘small but meaty’ doctrinal summary, Unsearchable Riches (2001). He was recently involved in planning the hymn-book Christian Worship (2010), also the title of the 1976 Brethren collection; this paradoxically broke new ground by its unprecedented conservatism in by-passing recent writing. Nos.178, 275, 664, 908.