In judgement, Lord, arise

Scriptures:
  • Psalms 23:6
  • Psalms 26:2
  • Psalms 84:1-2
Book Number:
  • 26

In judgement, Lord, arise,
draw near to take my part,
your tender love before my eyes,
your word within my heart.
Discern my thoughts, I pray,
discover all my mind,
and keep me in the narrow way
to innocence inclined.

2. To God I lift my voice,
his wondrous works confess;
let not their friendship be my choice
who love unrighteousness.
The praise of God above
my tongue unwearied tells;
his everlasting house I love
where endless glory dwells.

3. Sweep not my soul aside
to paths where sinners stray;
let love of truth my footsteps guide
and cast me not away.
So shall I stand unmoved
with all who love your word.
For mercy sure and promise proved
I bless your name, O Lord.

© Author / Oxford University Press
Timothy Dudley-Smith

The Gospel - Repentance and Faith

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Tune

  • Leominster
    Leominster
    Metre:
    • SMD (Short Metre Double: 66 86 D)
    Composer:
    • Martin, George William

The story behind the hymn

Here is ‘an encouraging example to carry the burden of slander to the throne of grace’; thus Spurgeon, who also sees its author, as so often, as ‘the type of the great Son of David’. Though next in Psalm order, this Dudley- Smith text is dated (early) March 1998, the 1st of a group of 10 completed in that year. Together with two other Psalm paraphrases (60 and 141) it was written in response to a request from the Praise! team in Feb. In accepting this assignment, the author had noted that ‘it may mean transposing affirmation of innocence, which could sound self-righteous to modern ears when removed from the Psalmist’s characteristic dress, into something nearer aspiration in prayer’; hence the conclusion to his 1st stz here. The Psalm has been the springboard for other texts, most notably the Anglican combination of Bullock and Baker in We love the place, O God. CH, GH, HTC and PHRW are among the books which by omission or alteration give that hymn an evangelical facelift, but it remains essentially a shrine-centred item (in total contrast, as it happens, to 609) and is not included here. The chosen version deals with the relevant verse rather differently, in closing stz 2. LEOMINSTER, sometimes known as ST BASIL, is one of 2 tunes recommended by the author. It began life as ‘The Pilgrim Song’ by G W Martin, published in the 1862 Journal of Part Music. In 1874 Arthur Sullivan adapted and renamed it (after the town straddling Herefordshire and Worcs) and in Church Hymns set it to Bonar’s A few more years shall roll. Later it became better known as the tune for Make me a captive, Lord by George Matheson, to which it is set in Keswick Praise (1975) and its predecessor The Keswick Hymn Book (1938) from which the harmony used in Praise! is taken. A more florid tune of the same name, in LM quadruple, was in use among the early Methodists.

A look at the author

Dudley-Smith, Timothy

b Manchester 1926. Tonbridge School, Kent, Pembroke Coll Camb, and Ridley Hall Camb; ordained (CofE) 1950. After ministry at Northumberland Heath (nr Erith, Kent) and Bermondsey (SE London) he worked with the Evangelical Alliance, editing Crusade magazine before moving to the Church Pastoral Aid Society, becoming Gen Sec in 1965. Subsequently he became Archdeacon of Norwich (73–81), then suffragan Bp of Thetford until his retirement to Ford, nr Salisbury, in 1992. A writer of verse (including a mastery of the comic sort) from his youth, he is seen by Prof J R Watson (in The English Hymn, 1997) as igniting the late 20th cent ‘hymn explosion’ with his 1961 Tell out, my soul, the greatness of the Lord, one of the hymns from that period in the widest use. He is the author of over 250 hymn texts in a similar number of hymnals worldwide, first collected in Lift Every Heart (1984), most recently in A House of Praise ( 2003). The latest of 4 smaller supplements, A Door for the Word, appeared in 2006, and 2 smaller booklets of his texts with accompanying music were published in 2001 and 2006: respectively Beneath a Travelling Star and A Calendar of Praise.

For many years the Bible commentator Derek Kidner was a mentor for most of TDS’s early drafts. While some were begun or completed at home, on trains or elsewhere, several were the fruit of family holidays on the Cornish coast, as a pre-breakfast employment (and delight) overlooking the beach near The Lizard. As reviewers have often observed, his texts are notable for their varied metres, disciplined rhyming, and biblical content; the theme of redemption through the cross and the shed blood of our Lord Jesus Christ is a theme encountered consistently, naturally and with variety; so is the fact that ‘the Lord is risen’. Without plagiarising, the hymns deliberately draw on a wide range of earlier poets and other authors for suggested ideas, as the attached notes fully illustrate. 37 items are included in Sing Glory (1999); 18 are in the N American Worship and Rejoice (2001), 9 in the 2005 edn of A Panorama of Christian Hymnody and 33 in the new Anglo- Chinese Hymns of Universal Praise (new edn, 2006). His other books include A Flame of Love: A personal choice of Charles Wesley’s verse ( 1987), Praying with the English Hymn-writers (1989), and a 2 vol biography (the first) of John R W Stott (1999, 2001). He has served on editorial groups for Psalm Praise (1973) and Common Praise (2000), and has addressed and been honoured by both the N American and British Hymn Societies, respectively as Fellow and Hon Vice-President. In 2003 he was awarded the OBE ‘for services to hymnody’. Hymn festivals in Tunbridge Wells and Salisbury, together with an extended BBC ‘Sunday Half Hour’ on New Year’s Eve, marked his 80th birthday at the end of 2006, following the publication of a seasonallyarranged selection of 30 texts in A Calendar of Praise (with music, mostly traditional). In an opening address to the Hymn Soc’s Guildford conference in its 70th year (also 2006), TDS spoke of his (and our) ups and downs as ‘Snakes and Ladders’, concluding with that greatest of ‘ladders’ from Gen 28, referred to in Elizabeth’s Clephane’s text (699) which has meant everything to him: ‘so seems my Saviour’s cross to me/ a ladder up to heaven’. Nos.10, 20, 25, 26, 32, 34, 41, 56, 60, 63, 65, 69B, 72, 73, 91B, 115, 119H, 134, 141, 218, 238, 320, 327, 351, 360, 389, 402, 405, 410, 413, 436, 459, 466, 488, 497, 516, 531, 553, 558, 623, 628, 659, 688, 697, 746, 750, 784, 823, 924, 925, 939, 949, 951, 1001, 1002, 1005, 1006, 1009, 1019, 1020, 1025, 1042, 1077, 1136, 1166, 1174, 1214.