Jesus! Exalted far on high

Scriptures:
  • Isaiah 2:17
  • Isaiah 33:5
  • Matthew 18:1-4
  • Matthew 20:25-28
  • Matthew 5:5
  • Mark 10:42-44
  • Mark 9:33-35
  • Luke 9:46-48
  • Acts 2:33
  • Acts 5:31
  • Romans 15:1-3
  • Romans 8:29
  • 1 Corinthians 13:4-8
  • 1 Corinthians 15:49
  • 2 Corinthians 3:18
  • Ephesians 1:20-21
  • Philippians 2:1-11
  • Philippians 3:21
  • 2 Timothy 2:12
  • Hebrews 1:4
  • Hebrews 12:2
  • 1 Peter 2:1
  • 1 Peter 3:4
  • 1 Peter 5:6
Book Number:
  • 308

Jesus! exalted far on high,
to whom a name is given,
a name surpassing every name
that’s known in earth or heaven:

2. Before your throne shall every knee
bow down with one accord,
before your throne shall every tongue
confess that you are Lord.

3. Jesus, who in the form of God
could equal honour claim,
yet, to redeem our guilty souls,
stooped down to death and shame:

4. O may that mind in us be formed
which in your life we see!
May we be humble, lowly, meek,
from pride and envy free.

5. May we to others stoop, and learn
to imitate your love:
so shall we bear your image here,
and share your throne above.

Thomas Cotterill 1779-1823

The Son - His Name and Praise

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Tune

  • Milwaukee
    Milwaukee
    Metre:
    • CM (Common Metre: 86 86)
    Composer:
    • Protheroe, Daniel

The story behind the hymn

Again a noted evangelical author provides the text, but this time (cf the previous item) it is CH which alone of current books includes it. Thomas Cotterill’s hymn appeared in his Uttoxeter Selection in 1805, then in the more influential 1810 Selection … Some older books strangely began at stz 3; in contrast to many 20th-c songs, it reflects the context of Philippians 2:1–11 rather than merely the climax. The willingly bowed knees and confessing tongues will belong to those who have learned and displayed something of the mind of Christ, and the humility of his servanthood. In stz 2, ‘Before whose …’ becomes ‘Before your …’, to make this a complete sentence, now addressed to Christ. 4.2 formerly read ‘which shone so bright in thee’.

As in CH, the tune is MILWAUKEE. After emigrating to America in 1885, the composer Daniel Prothero(e) conducted choirs at Milwaukee in Wisconsin.

A look at the author

Cotterill, Thomas

b Cannock, Staffs 1779, d Sheffield, Yorks 1823. The Free School, Birmingham, and St John’s Coll Cambridge (BA 1801); elected a Fellow, then ordained (CofE) 1803. After serving a curacy at Tutbury, nr Burton-on-Trent, Staffs, he became incumbent of Lane End, Staffs in 1808, and of St Paul’s Sheffield from 1817 until his early death aged 43. He assisted Jonathan Stubbs in producing the 1805 Uttoxeter Selection of Psalms and Hymns, but the crucial impact on hymnody made by his brief career came a little later, heralded by A Selection of Psalms and Hymns for Public and Private Use which he edited in 1810. For the 8th edn of this most successful book, produced in 1819, Cotterill shared the work with James Montgomery, a fellow hymn-lover and author across the city. The book had now grown to comprise 150 Psalms and 367 hymns, of which he contributed 32 and Montgomery, 50. But it became a test case for the legality of hymn-singing in the CofE’s regular services (as distinct from midweek, open-air or private gatherings such as Newton and the Wesleys arranged). Since there was no explicit provision for this in the BCP, the case was heard at the Diocesan Court at York. Archbishop Harcourt proposed a classic Anglican solution; the book was withdrawn, to be replaced by a similar volume to be approved by and dedicated to him. This was duly done in the following year 1820; the choice of hymns was slimmed down to 146, but the flood-gates were open for the torrents of Victorian hymns which were to fill the churches in future years. Cotterill did not live to see it, but without him (or someone like him, and maybe a shrewd bishop of archbishop) there would have been no A&M or any of the evangelical books which followed. At Cotterill’s death, Montgomery wrote the hymn Friend after friend departs. Nos.308, 547*, 652, 962*.