Lo, God is here; let us adore!

Scriptures:
  • Genesis 28:17
  • Psalms 103:20
  • Psalms 148:2
  • Psalms 2:11
  • Habakkuk 2:20
  • Zechariah 2:13
  • Luke 21:36
  • Hebrews 12:28
  • Hebrews 9:24-26
  • Revelation 4:8
  • Revelation 5:11-14
  • Revelation 8:3-4
Book Number:
  • 240

Lo, God is here; let us adore!
How awe-inspiring is this place!
Let all within us feel his power,
and silent bow before his face;
who know his power, his grace who prove,
serve him with fear, with reverence love.

2. Lo, God is here! whom day and night
the choirs of holy angels sing;
to him, enthroned above all height,
heaven’s host their noblest praises bring;
do not despise our humbler song,
who praise you with a faltering tongue.

3. Being of beings! may our praise
your courts with grateful fragrance fill;
still may we stand before your face,
still hear and do your sovereign will;
to you may all our thoughts arise,
ceaseless, accepted sacrifice.

Gerhard Tersteegen (1697-1769) Trans. John Wesley (1703-91)

The Father - His Character

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Tune

The story behind the hymn

Gerhard Tersteegen’s 8-stz hymn Gott ist gegenwartig first appeared in 1729, headed ‘Remembrance of the glorious and delightful presence of God’. John Wesley’s translation of 6 stzs came in Hymns and Sacred Poems 10 years later. This was included in the definitive 1780 Collection … in the section ‘For the Society, giving Thanks’ and headed ‘Genesis 28:16–17’. In the Genesis narrative, Jacob’s realisation of God’s presence comes after his dream—truly a ‘remembrance’; he wakes up and exclaims, ‘Surely the Lord is in this place; and I knew it not … How dreadful is this place!’ (AV). Some authors use the event as a preparation for ‘worship’ and play down its fearful and unplanned aspect; this hymn at least retains the note of awe and wonder, even where (as often now) the stzs are reduced to three—the original 1, 2 and 4. Even Methodist books print the first 4 only. Like them, this version replaces ‘dreadful’ with ‘awe-inspiring’ since the AV/Wesley word (cf ‘awful’) now carries a bad or even lightweight connotation. In stz 2, ‘Th’united choirs of angels’ give way to ‘the choirs of holy angels’, and ‘stammering’ to ‘faltering’. Another approach to the German text is found at 156.

Henry Carey’s tune SURREY, repeated at 596 and sometimes known as CAREY(’S), has been widely commandeered for this and other hymns, but was composed for Addison’s The Lord my pasture shall prepare. It was published c1723 as an ‘entirely new’ tune in John Church’s An Introduction to Psalmody, headed ‘Psalm the 23rd, Paraphrased by Mr Addison, set to Musick by Mr Henry Carey’.

A look at the authors

Tersteegen, Gerhard

b Mörs, nr Düsseldorf, Westphalia 1697, d 1769. Trained in the classics at the Latin sch in his home town, after his father’s death he was prevented by family poverty from taking a university course. In 1713 he was apprenticed to his merchant brother-in-law before setting up his own business in 1717. Converted in Pietist circles at the age of 20, he then retired into virtual solitude as a meditative silk ribbon-weaver, having first tried linen-weaving; what little profit he made he shared with his poorer neighbours. After a long period of depression he regained his assurance in 1724 and wrote out a solemn covenant with God, signed in his own blood. In 1727 he established a ‘Pilgrims’ Hut’ at Otterbeck nr Mülheim for a small group of likeminded quietists (which survived until c1800); a year later he gave up his secular work and entered on a full-time spiritual ministry. Over the next few years he published several volumes of poems, hymns, translations (including works by Madame Guyon), and some critical biographies of RC mystics. He influenced other believers by travels in Germany, Holland and Scandinavia, hindered between 1730–50 by strict anti-conventicle laws. But his later reputation came to centre on his hymns, 111 in all, which are marked by tender devotion as well as poetic charm and known to English-speakers largely through translations by Emma Bevan (a rather mystical member of the ‘Open’ Plymouth Brethren), John Wesley and others. He became ill in 1756 and never fully recovered; although he set up no independent sect, he remained outside the official Reformed church, holding strictly exclusive views of the Lord’s Supper. Julian allots him more than 6 columns (3 pages) of small print; with Neander (qv) and F A Lampe, he is said there to be one of the 3 leading German Reformed hymn-writers, but closer in spirit to J Scheffler (qv, among composers). If Scheffler excelled in his pictorial imagination, Tersteegen did by his ‘firmer grasp of the Christian verities’. No.240.

Wesley, John

b Epworth, Lincs 1703, d City Rd, Old St, Middx (C London) 1791. As a boy he was dramatically rescued from a fire at his father’s rectory at Epworth; after study at Charterhouse Sch, Surrey, and Christ Church Oxford, he was ordained and elected a Fellow of Lincoln Coll. He became the leader of Oxford’s ‘Holy Club’ which his younger brother Charles (qv) had quite informally begun and which first attracted the nickname ‘Methodist’, in which he later gloried. Its members were active in disciplined religious observances and unusual social commitments such as prison visiting. In 1735 he sailed with Charles and others to Georgia, technically as a missionary, in effect a chaplain, but in either role a self-confessed failure. After some naïve actions complicated by a near-disastrous romantic entanglement, he left in embarrassed humiliation, not before courting a rather different trouble by unauthorised tampering with the texts of familiar hymns. Back in London he built on the Moravian contacts he had made on the outward voyage, notably in friendship with Peter Böhler. After intense struggles to find a personal faith, the decisive moment of conversion came at a meeting in Aldersgate St in May 1738— recorded in detail in his published Journal, now commemorated by Methodists worldwide but strangely seldom mentioned in his later writings. ‘Conversion’ or not, the event had ‘pivotal significance’ (A Skevington Wood) for Wesley and Methodism.

It marked, however, a turning point in his life which from then on became an extraordinary career of sustained energy as a travelling evangelist (usually on horseback), church planter, teacher, author, controversialist, and in effect the founder of a denomination. Technically he remained an Anglican, but he put in place all the structures which led to the inevitable split soon after his death. He followed George Whitefield and brother Charles in ‘field-preaching’, which then became his normal method; they and their colleagues suffered cruel and sometimes near-fatal attacks. While at first keen not to duplicate or rival services provided by each local parish church (from which he was increasingly barred for his evangelical preaching), he established meeting-places, schools, teams of lay preachers, class-meetings, medical clinics, and in 1784 an annual Conference which remains the decision-making centre of Methodism. Not the least cause of division in that year was his ‘ordination’, bishop-style, of Thomas Coke and others to serve in N America, at first under his authority. Sadder, perhaps, were divisions within evangelical ranks; Wesley opposed Whitefield’s preaching of the Reformed ‘doctrines of grace’, upheld free-will and taught the possibility of ‘perfect love’ which he was constantly driven to explain or qualify. Some colleagues became disillusioned with his autocratic style; after Charles intervened to prevent an impending marriage, John married suddenly, unwisely and unhappily. While his relations with women were often problematic, he also attracted deep loyalty from followers of either sex, notably that of the remarkable Elizabeth Ritchie who attended his death-bed. In old age, continuing to travel and preach so long as it was physically possible, he mellowed so far as to become almost an establishment figure, respected by Blake, Johnson and others including royalty. But in social attitudes he remained radical, a fierce opponent of slavery who wrote his Thoughts Upon Slavery in 1774 (long before abolition), a critic of many but not all wars, with a simple lifestyle and a fascinated horror of wealth, grand houses and nobility. He never quite overcame his need to control those around him or take the credit for joint enterprises. Unlike virtually all his contemporary preachers he did not wear a wig. He compiled a popular dictionary, a practical medical handbook, and much more. His work as a hymnwriter, translator, abridger and editor has largely been overshadowed by his other achievements, but in hymnody alone his place in history is assured. Many collections of work by one or both of the brothers named them pointedly as ‘Presbyters of the Church of England’. The authorship of some texts is still disputed, as between John and Charles; Erik Routley is among those who believe that all the original texts are Charles’s, John providing only translations. A great compiler of lists and maker of rules, he naturally provided his Methodists (in 1761) with some pointed ‘Directions for Singing’, which are still commonly and deservedly quoted.

As well as Charles, John’s father and elder brother (both Samuel), his mother Susanna and sister Hetty all had outstanding gifts. There are memorials to him at City Rd, London (his house, chapel and tomb) and in Bristol’s historic ‘New Room’. Among recent biographies, those by S Ayling, R Hattersley and (notably) H Rack are all valuable. JW’s own fascinating Journals, abridged or in full, are indispensable but (like his definitive published sermons) need to be read with discernment; in all his writing, as George Lawton kindly put it, he ‘sat lightly to quotation marks’—and sometimes to facts. Biographers of the 18th-c evangelical leaders tend to take sides; Wesley left behind much more accessible printed material, including ammunition, than those who distanced themselves from his claims, policies and ‘free-will’ doctrines. Some Methodists find it especially hard to see him in proportion or take his critics seriously. See also the notes to Cennick, Perronet, Toplady and C Wesley. Nos.240, 778, 781, 844, 878*.