Lord, as I wake I turn to you
- Judges 21:25
- Psalms 5:1-8
- Psalms 84:3
- John 1:16
- Romans 8:2
- 1 Corinthians 4:7
- James 4:2
- 1 John 4:19
- 220
Lord, as I wake I turn to you,
yourself the first thought of my day;
my King, my God, whose help is sure,
yourself the help for which I pray.
2. There is no blessing, Lord, from you
for those who make their will their way;
no praise for those who will not praise,
no peace for those who will not pray.
3. Your loving gifts of grace to me —
those favours I could never earn —
call for my thanks in praise and prayer,
call me to love you in return.
4. Lord, make my life a life of love;
keep me from sin in all I do;
Lord, make your law my only law,
your will my will, for love of you.
© Faber Music Ltd.
Brian Foley 1919 – 2000
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Tune
-
Daniel Metre: - LM (Long Metre: 88 88)
Composer: - Shaw, Martin Edward Fallas
The story behind the hymn
This hymn is often presented as a version of Psalm 5, as it was in the New Catholic Hymnal where it first appeared in 1971—set to the tune MELCOMBE as if to signal its morning mood. But it is better to see it as a new hymn which takes the Psalm as a starting-point. Brian Foley’s gift for profound thoughts expressed simply is rarely seen so effectively as here. The longest words are yourself, blessing, loving, favours, return, and only.
Martin Shaw arranged the traditional Irish tune DANIEL (which had appeared as ST FINIAN in the 1926 Church and School Hymnal) for Songs of Praise for Boys and Girls in 1930. It was set there to To God who makes all lovely things, and elsewhere to other hymns. The words may not yet have settled on their obvious or natural musical partner.
A look at the author
Foley, William Brian
b Waterloo, Liverpool 1919; d 2000. St Mary’s Irish Christian Brothers Sch, Crosby, and Upholland Coll nr Wigan; ordained (RC Church) 1945. Served parishes in Liverpool, Bootle, Birkdale and (from 1971) Chorley, Lancs. A pianist and organist who regretted the loss of plainsong and traditional liturgy after the 2nd Vatican Council, and began to write hymns in 1958, ‘in sheer desperation at the appalling stuff our Church was using for hymns!’ (letter of 29 Jan 1979). Few of his early texts survive, but the first seeds of his later writing were clearly there. 14 of these, many based on Scripture, were included in the modernising New Catholic Hymnal (1971), in the compilation of which he had a share and which first brought him into much wider prominence and his work into extensive use. In including 2 of his texts in his revised edn of A Panorama of Christian Hymnody (2005), Paul A Richardson says that in him NCH had ‘discovered a brilliant new writer’ whose work is ‘very polished, modest and moving’. Foley’s expressed aim was ‘to base everything as far as possible on Scripture and theology, in simple language and avoiding Victorianisms, word inversions and exotic rhythms’ (quoted in the Companion to the Church Hymnal 2005). 2 of WBF’s best-known items are included here; another is in the 2004 CH and another is See, Christ was wounded for our sake, based on Isa 53. Baptist Praise and Worship (1991) features 3 of his texts. He should not be confused with the American John B Foley, another late-20th-c hymnwriter among RC clergy, nor with the RC Bp Brian C Foley (1910–1999). Nos.22, 220