Lord, as the day begins

Scriptures:
  • Psalms 100:4-5
  • Psalms 25:4-12
  • Psalms 3:5
  • Psalms 5:1-3
  • 1 Corinthians 4:12
  • Galatians 5:22-23
  • Galatians 6:2
  • Ephesians 3:16-17
  • Ephesians 5:2
  • Ephesians 5:20
  • Philippians 2:3-4
  • Colossians 3:15-16
  • Colossians 3:2
  • 1 Thessalonians 4:11-12
  • 2 Thessalonians 1:12
  • 1 John 3:5
Book Number:
  • 218

Lord, as the day begins
lift up our hearts in praise;
take from us all our sins,
guard us in all our ways:
our every step direct and guide
that Christ in all be glorified!

2. Christ be in work and skill,
serving each other’s need;
Christ be in thought and will,
Christ be in word and deed:
our minds be set on things above
in joy and peace, in faith and love.

3. Grant us the Spirit’s strength,
teach us to walk his way;
so bring us all at length
safe to the close of day:
from hour to hour sustain and bless
and let our song be thankfulness.

4. Now, as the day begins
make it the best of days;
take from us all our sins,
guard us in all our ways:
our every step direct and guide
that Christ in all be glorified!

© Author / Oxford University Press
Timothy Dudley-Smith

Approaching God - Morning and Evening

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Tune

The story behind the hymn

Tune and theme came together for Timothy Dudley-Smith at Ruan Minor, Cornwall, in Aug 1980. He had by then written 3 evening hymns, but none specifically for morning; he also wanted to try his hand at LITTLE CORNARD. When this was first published in HTC, however, Sullivan’s tune SAMUEL was used; here the author’s choice is re-attached, not least as it gives a better emphasis in the opening line as in others. The keynote of the text, he says, is ‘the change in line 2 between verse 1 and verse 4, though appearing at a late stage in revision’ (Lift Every Heart, 1984, p234).

Martin Shaw’s tune was composed for Hills of the north, rejoice by Charles Oakley, a missionary text which in spite of radical changes by some editors is probably time-warped in the 19th c. It appeared in the composer’s 1915 Primrose Hill collection of Additional Tunes … It has now been perhaps overpopular among other writers, but this book restricts its use to this single hymn. Christopher Norton’s arrangement was made for Hymns for the People, 1993. Little Cornard is a village near Sudbury in Suffolk.

A look at the author

Dudley-Smith, Timothy

b Manchester 1926. Tonbridge School, Kent, Pembroke Coll Camb, and Ridley Hall Camb; ordained (CofE) 1950. After ministry at Northumberland Heath (nr Erith, Kent) and Bermondsey (SE London) he worked with the Evangelical Alliance, editing Crusade magazine before moving to the Church Pastoral Aid Society, becoming Gen Sec in 1965. Subsequently he became Archdeacon of Norwich (73–81), then suffragan Bp of Thetford until his retirement to Ford, nr Salisbury, in 1992. A writer of verse (including a mastery of the comic sort) from his youth, he is seen by Prof J R Watson (in The English Hymn, 1997) as igniting the late 20th cent ‘hymn explosion’ with his 1961 Tell out, my soul, the greatness of the Lord, one of the hymns from that period in the widest use. He is the author of over 250 hymn texts in a similar number of hymnals worldwide, first collected in Lift Every Heart (1984), most recently in A House of Praise ( 2003). The latest of 4 smaller supplements, A Door for the Word, appeared in 2006, and 2 smaller booklets of his texts with accompanying music were published in 2001 and 2006: respectively Beneath a Travelling Star and A Calendar of Praise.

For many years the Bible commentator Derek Kidner was a mentor for most of TDS’s early drafts. While some were begun or completed at home, on trains or elsewhere, several were the fruit of family holidays on the Cornish coast, as a pre-breakfast employment (and delight) overlooking the beach near The Lizard. As reviewers have often observed, his texts are notable for their varied metres, disciplined rhyming, and biblical content; the theme of redemption through the cross and the shed blood of our Lord Jesus Christ is a theme encountered consistently, naturally and with variety; so is the fact that ‘the Lord is risen’. Without plagiarising, the hymns deliberately draw on a wide range of earlier poets and other authors for suggested ideas, as the attached notes fully illustrate. 37 items are included in Sing Glory (1999); 18 are in the N American Worship and Rejoice (2001), 9 in the 2005 edn of A Panorama of Christian Hymnody and 33 in the new Anglo- Chinese Hymns of Universal Praise (new edn, 2006). His other books include A Flame of Love: A personal choice of Charles Wesley’s verse ( 1987), Praying with the English Hymn-writers (1989), and a 2 vol biography (the first) of John R W Stott (1999, 2001). He has served on editorial groups for Psalm Praise (1973) and Common Praise (2000), and has addressed and been honoured by both the N American and British Hymn Societies, respectively as Fellow and Hon Vice-President. In 2003 he was awarded the OBE ‘for services to hymnody’. Hymn festivals in Tunbridge Wells and Salisbury, together with an extended BBC ‘Sunday Half Hour’ on New Year’s Eve, marked his 80th birthday at the end of 2006, following the publication of a seasonallyarranged selection of 30 texts in A Calendar of Praise (with music, mostly traditional). In an opening address to the Hymn Soc’s Guildford conference in its 70th year (also 2006), TDS spoke of his (and our) ups and downs as ‘Snakes and Ladders’, concluding with that greatest of ‘ladders’ from Gen 28, referred to in Elizabeth’s Clephane’s text (699) which has meant everything to him: ‘so seems my Saviour’s cross to me/ a ladder up to heaven’. Nos.10, 20, 25, 26, 32, 34, 41, 56, 60, 63, 65, 69B, 72, 73, 91B, 115, 119H, 134, 141, 218, 238, 320, 327, 351, 360, 389, 402, 405, 410, 413, 436, 459, 466, 488, 497, 516, 531, 553, 558, 623, 628, 659, 688, 697, 746, 750, 784, 823, 924, 925, 939, 949, 951, 1001, 1002, 1005, 1006, 1009, 1019, 1020, 1025, 1042, 1077, 1136, 1166, 1174, 1214.