Lord, make your word my rule

Scriptures:
  • Deuteronomy 11:18-21
  • Deuteronomy 17:18-20
  • Deuteronomy 6:6-9
  • Joshua 1:6-9
  • Joshua 1:8
  • Psalms 119:114
  • Psalms 119:162
  • Psalms 119:74
  • Psalms 12
  • Psalms 44:3-4
  • Psalms 89:21
  • Jeremiah 15:16
  • Micah 2:7
  • Romans 12:2
  • 1 Corinthians 10:31
  • Ephesians 5:17
  • Philippians 3:14
  • Colossians 4:12
  • Hebrews 10:36
  • Hebrews 6:11-12
  • 1 Peter 4:11
  • 2 Peter 1:4
  • 2 Peter 3:13
Book Number:
  • 847

Lord, make your word my rule,
in it may I rejoice;
your glory be my aim,
your holy will, my choice.

2. Your promises my hope,
your providence my guard;
your arm my strong support,
yourself my great reward.

Christopher Wordsworth 1807-85

The Christian Life - Commitment and Obedience

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Tune

  • Quam Dilecta
    Quam Dilecta
    Metre:
    • 66 66
    Composer:
    • Jenner, Henry Lascelles

The story behind the hymn

Christopher Wordsworth wrote several hymns on the grand scale, 3 of which feature earlier in Praise! But none is more effective than this final entry of his, written as ‘Lord, be thy word …’, and some would say that the simplicity of these 2 stzs exceeds in value the solemnity of the others. In another context, Albert Bayly once quoted, ‘There is a sense in which only small words are big enough’. It should be axiomatic that to choose a short hymn, where necessary, is better than abbreviating a longer one for the occasion, and this is all the more effective for saying all that is necessary in 8 lines—so long as the current habit of repetition is not applied to it. In the 1872 6th edn of the author’s Holy Year it was headed ‘At Confirmation’; this suggests that he wrote it at Lincoln in his early years as bishop, though of course it has a much wider usefulness than this. The Anglican Hymn Book has it as the opening hymn for the section ‘The word of God’ (equivalent to pt 5 of Praise!) and heads it with ‘My trust is in thy word’: Psalm 119:114, Prayer Book version. Apart from the 2nd word, the only changes are of ‘thy/thine/thyself’ to their equivalents, adjustments first made in HTC. For a comparison, see notes to Watts’ 557.

Henry Jenner’s tune QUAM DILECTA is found at 651; also in use for these words are IBSTONE (278) and O M Feilden’s EDEN from 1863 (not that at 952).

A look at the author

Wordsworth, Christopher

b Lambeth, S London (Surrey) 1807, d Harewood, Yorkshire 1885. A nephew of William W (whose brief biography he was later to write), he lost his mother before he was 7; Winchester Coll and Trinity Coll Cambridge (BA 1830, maths and classics), where he was described as ‘brilliant’, possibly the best Gk scholar of his generation, and won numerous prizes. He was a keen sportsman; travelled in Italy and Greece in 1832 and was ordained in the following year. He was a Fellow of Trinity, Lecturer in Classics, and in 1836 Public Orator of the Univ. In that year he became Headmaster of Harrow Sch where he proved a reforming influence, he gained BD and Hon DD in 1839; becoming a Canon of Westminster from 1844. From 1850 to 1868 he was Vicar of Stanford-in-the-Vale-cum-Goosey, Berks, during which time he again toured Italy (1862) and also gave many academic lectures. He was then Bishop of Lincoln from 1869 for 16 years until resigning through illness a month before his death. A distinguished but stern-looking bust of him currently adorns the Lincoln Cathedral Library.

Bp Wordsworth He was a prolific author who wrote a commentary on the whole Bible, in stages between 1856 and 1870, a year in which he issued Prayers in Time of War; his many other books included (in 1862) The Holy Year: Hymns for every Season. He believed that hymns should use ‘we’ rather than ‘I’, and that ‘it is the first duty of a hymn to teach sound doctrine, and thence to save souls’; he was critical of much earlier hymnody. John Ellerton praised his humble and loving character while calling his verse plain, sometimes unpoetic, but with a charm which makes us ‘forget its homeliness’; J H Overton (in Julian) went into some detail but admits the ‘very unequal merit’ of his hymns, while later critics have been less kind. J R Watson (1997) calls his verse churchy, pedestrian and untheological; but Routley said that it ranged from the trivial to the magnificent. An early biography was written jointly by his daughter Elizabeth Wordsworth (hymnwriter; Head of Lady Margaret Hall, Oxford) and J H Oldham. Nos.210, 331, 496, 847.