Name of all majesty
- Genesis 2:8-15
- Isaiah 2:19
- Isaiah 35:10
- Isaiah 51:11
- Isaiah 51:3
- Ezekiel 36:35
- Micah 5:4
- Matthew 1:25
- Matthew 12:18
- Matthew 17:5
- Matthew 27:60
- Matthew 3:17
- Mark 1:11
- Mark 12:6
- Mark 15:25-32
- Mark 15:46
- Mark 9:7
- Luke 2:7-13
- Luke 20:13
- Luke 23:33
- Luke 3:22
- Luke 9:35
- John 1:1-5
- John 10:36
- John 19:18
- John 19:40-42
- John 3:16
- John 6:47
- Acts 3:21
- Acts 4:27
- Romans 10:9
- Romans 5:8
- 1 Corinthians 12:3
- Ephesians 1:20-23
- 2 Timothy 1:10
- Hebrews 1:6
- 1 Peter 1:3-4
- 2 Peter 1:16-17
- 1 John 4:14
- 1 John 4:9
- 1 John 5:11
- Revelation 15:3
- 320
Name of all majesty,
fathomless mystery,
King of the ages
by angels adored;
power and authority,
splendour and dignity,
bow to his mastery—
Jesus is Lord!
2. Child of our destiny,
God from eternity,
love of the Father
on sinners outpoured;
see now what God has done,
sending his only Son,
Christ the beloved One—
Jesus is Lord!
3. Saviour of Calvary,
costliest victory,
darkness defeated
and Eden restored;
born as a man to die,
nailed to a cross on high,
cold in the grave to lie—
Jesus is Lord!
4. Source of all sovereignty,
light, immortality,
life everlasting
and heaven assured;
so, with the ransomed, we
praise him eternally,
Christ in his majesty—
Jesus is Lord!
© Author / Oxford University Press
Timothy Dudley-Smith
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Tune
-
Majestas Metre: - 66 55 6664
Composer: - Baughen, Michael Alfred
The story behind the hymn
If the first basic Christian creed was ‘Jesus is Lord’, here is an attempt to clothe that simple phrase in fuller biblical dress. Timothy Dudley-Smith wrote it at Ruan Minor, Cornwall, in Aug 1979, when he was Archdeacon of Norwich. Earlier that year he had noted down some striking rhythms in the poems of Walter de la Mare, from one of which this is adapted. It was included in the All Souls [Langham Place, London] Supplementary Hymnbook 1980, and the author’s own informal collection (Nov 1981—marked ‘awaiting a composer’), and first formally published a year later in HTC. Though several contemporary writers have taken the theme of Christ’s majesty, few have given it such content as either this text or 315. Though not so presented here (in deference to house style), the indenting of lines 5–7 as originally printed is a small aid to understanding and singing.
Michael Baughen’s tune MAJESTAS, composed for the words as ‘the final TDS/MAB teamwork’ (for HTC), appeared with them in 1982 and has effectively eclipsed Norman Warren’s ALL MAJESTY to which they were also set. The music was written at All Souls’ church in 1980 or ’81, with Noël Tredinnick sitting beside MAB at the grand piano, deciding whether the penultimate line of the tune should vary from the previous 2 in pattern. ‘We decided on balance that it should, and I am so glad we did!’ said Michael; for his part, Noël wrote that ‘The brilliant tune by MAB inspired me to write many harmonisations’—of which this is one, completed in 1980 at the University of E Anglia, Norwich. It appears in Sing Glory in the key of B flat. Words and music have been included together in several hymnals in Britain, Ireland and the USA.
A look at the author
Dudley-Smith, Timothy
b Manchester 1926. Tonbridge School, Kent, Pembroke Coll Camb, and Ridley Hall Camb; ordained (CofE) 1950. After ministry at Northumberland Heath (nr Erith, Kent) and Bermondsey (SE London) he worked with the Evangelical Alliance, editing Crusade magazine before moving to the Church Pastoral Aid Society, becoming Gen Sec in 1965. Subsequently he became Archdeacon of Norwich (73–81), then suffragan Bp of Thetford until his retirement to Ford, nr Salisbury, in 1992. A writer of verse (including a mastery of the comic sort) from his youth, he is seen by Prof J R Watson (in The English Hymn, 1997) as igniting the late 20th cent ‘hymn explosion’ with his 1961 Tell out, my soul, the greatness of the Lord, one of the hymns from that period in the widest use. He is the author of over 250 hymn texts in a similar number of hymnals worldwide, first collected in Lift Every Heart (1984), most recently in A House of Praise ( 2003). The latest of 4 smaller supplements, A Door for the Word, appeared in 2006, and 2 smaller booklets of his texts with accompanying music were published in 2001 and 2006: respectively Beneath a Travelling Star and A Calendar of Praise.
For many years the Bible commentator Derek Kidner was a mentor for most of TDS’s early drafts. While some were begun or completed at home, on trains or elsewhere, several were the fruit of family holidays on the Cornish coast, as a pre-breakfast employment (and delight) overlooking the beach near The Lizard. As reviewers have often observed, his texts are notable for their varied metres, disciplined rhyming, and biblical content; the theme of redemption through the cross and the shed blood of our Lord Jesus Christ is a theme encountered consistently, naturally and with variety; so is the fact that ‘the Lord is risen’. Without plagiarising, the hymns deliberately draw on a wide range of earlier poets and other authors for suggested ideas, as the attached notes fully illustrate. 37 items are included in Sing Glory (1999); 18 are in the N American Worship and Rejoice (2001), 9 in the 2005 edn of A Panorama of Christian Hymnody and 33 in the new Anglo- Chinese Hymns of Universal Praise (new edn, 2006). His other books include A Flame of Love: A personal choice of Charles Wesley’s verse ( 1987), Praying with the English Hymn-writers (1989), and a 2 vol biography (the first) of John R W Stott (1999, 2001). He has served on editorial groups for Psalm Praise (1973) and Common Praise (2000), and has addressed and been honoured by both the N American and British Hymn Societies, respectively as Fellow and Hon Vice-President. In 2003 he was awarded the OBE ‘for services to hymnody’. Hymn festivals in Tunbridge Wells and Salisbury, together with an extended BBC ‘Sunday Half Hour’ on New Year’s Eve, marked his 80th birthday at the end of 2006, following the publication of a seasonallyarranged selection of 30 texts in A Calendar of Praise (with music, mostly traditional). In an opening address to the Hymn Soc’s Guildford conference in its 70th year (also 2006), TDS spoke of his (and our) ups and downs as ‘Snakes and Ladders’, concluding with that greatest of ‘ladders’ from Gen 28, referred to in Elizabeth’s Clephane’s text (699) which has meant everything to him: ‘so seems my Saviour’s cross to me/ a ladder up to heaven’. Nos.10, 20, 25, 26, 32, 34, 41, 56, 60, 63, 65, 69B, 72, 73, 91B, 115, 119H, 134, 141, 218, 238, 320, 327, 351, 360, 389, 402, 405, 410, 413, 436, 459, 466, 488, 497, 516, 531, 553, 558, 623, 628, 659, 688, 697, 746, 750, 784, 823, 924, 925, 939, 949, 951, 1001, 1002, 1005, 1006, 1009, 1019, 1020, 1025, 1042, 1077, 1136, 1166, 1174, 1214.