O changeless Christ, for ever new
- Psalms 148:8
- Matthew 13:1-3
- Matthew 26:26-28
- Matthew 4:12-17
- Matthew 4:23-25
- Matthew 5:1-3
- Matthew 8:1-17
- Matthew 8:23-27
- Mark 1:14-15
- Mark 1:40-42
- Mark 14:22-24
- Mark 4:1-2
- Mark 4:35-41
- Mark 5:15
- Mark 6:34
- Luke 22:19-20
- Luke 24:34
- Luke 5:1
- Luke 5:12-13
- Luke 5:17-20
- Luke 7:1-10
- Luke 8:22-25
- Luke 8:35
- John 14:1-3
- John 14:27
- John 7:52
- 1 Corinthians 11:23-26
- Hebrews 10:19-20
- Hebrews 13:8
- James 5:14-15
- 1 Peter 1:8
- 402
O changeless Christ, for ever new,
who walked our earthly ways,
still draw our hearts as once you drew
the hearts of other days.
2. As once you spoke by plain and hill
or taught by shore and sea,
so be today our teacher still,
O Christ of Galilee.
3. As wind and storm their Master heard
and his command fulfilled,
may troubled hearts receive your word,
the tempest-tossed be stilled.
4. And as of old to all who prayed
your healing hand was shown,
so be your touch upon us laid,
unseen but not unknown.
5. In broken bread, in wine outpoured,
your new and living way
proclaim to us, O risen Lord,
O Christ of this our day.
6. O changeless Christ, till life is past
your blessing still be given;
then bring us home, to taste at last
the timeless joys of heaven.
© Author / Oxford University Press
Timothy Dudley-Smith
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Tune
-
Jackson Metre: - CM (Common Metre: 86 86)
Composer: - Jackson, Thomas
The story behind the hymn
Near the beginning (pp30–42) of Lift Every Heart, the collected hymns of Timothy Dudley-Smith 1961–83, the author gives a fuller account of the writing of this one than of any other, at the same time cautious but exhaustive. It begins on ‘a sunny morning in Cornwall’, and a breakfast tray in the garden ‘with Cadgwith Cove blue in the distance …’ The basic concept was of ‘Christ our contemporary’, the 1st line, though soon discarded, ‘Christ in our world today’. ‘An opening line’, he continues, ‘is very real progress’ and maybe 48 hours later ‘O changeless Christ, for ever new’ arrived in his notebook. All this was in 1981 at Ruan Minor; after the family holiday the author sent his draft and his doubts, as usual, to Derek Kidner, whose comments in response included two suggested tunes, BALLERMA being one. A shorter writing-break at St Julian’s, Coolham, W Sussex, in Oct saw the text completed, to become a late and valued entry in HTC the following year. The writer gives its theme as ‘the Lord Jesus Christ; Christ in experience; Holy Communion’; HTC places it in the section ‘Lord and Saviour: Growing, Teaching, Serving’.
The hymn was published first to BALLERMA (611), with ST BOTOLPH (337 & 737) as a suggested alternative in LEH. The rather different JACKSON, named after its composer Thomas Jackson but sometimes known oddly as BYZANTIUM, also appears in 792. This was published unnamed in 1780 in his Twelve Psalm Tunes and Eighteen Double and Single Chants … composed for Four Voices, as a tune for a part-version of Ps 47. The Companion to Rejoice and Sing describes its quavers as ‘life-giving’.
A look at the author
Dudley-Smith, Timothy
b Manchester 1926. Tonbridge School, Kent, Pembroke Coll Camb, and Ridley Hall Camb; ordained (CofE) 1950. After ministry at Northumberland Heath (nr Erith, Kent) and Bermondsey (SE London) he worked with the Evangelical Alliance, editing Crusade magazine before moving to the Church Pastoral Aid Society, becoming Gen Sec in 1965. Subsequently he became Archdeacon of Norwich (73–81), then suffragan Bp of Thetford until his retirement to Ford, nr Salisbury, in 1992. A writer of verse (including a mastery of the comic sort) from his youth, he is seen by Prof J R Watson (in The English Hymn, 1997) as igniting the late 20th cent ‘hymn explosion’ with his 1961 Tell out, my soul, the greatness of the Lord, one of the hymns from that period in the widest use. He is the author of over 250 hymn texts in a similar number of hymnals worldwide, first collected in Lift Every Heart (1984), most recently in A House of Praise ( 2003). The latest of 4 smaller supplements, A Door for the Word, appeared in 2006, and 2 smaller booklets of his texts with accompanying music were published in 2001 and 2006: respectively Beneath a Travelling Star and A Calendar of Praise.
For many years the Bible commentator Derek Kidner was a mentor for most of TDS’s early drafts. While some were begun or completed at home, on trains or elsewhere, several were the fruit of family holidays on the Cornish coast, as a pre-breakfast employment (and delight) overlooking the beach near The Lizard. As reviewers have often observed, his texts are notable for their varied metres, disciplined rhyming, and biblical content; the theme of redemption through the cross and the shed blood of our Lord Jesus Christ is a theme encountered consistently, naturally and with variety; so is the fact that ‘the Lord is risen’. Without plagiarising, the hymns deliberately draw on a wide range of earlier poets and other authors for suggested ideas, as the attached notes fully illustrate. 37 items are included in Sing Glory (1999); 18 are in the N American Worship and Rejoice (2001), 9 in the 2005 edn of A Panorama of Christian Hymnody and 33 in the new Anglo- Chinese Hymns of Universal Praise (new edn, 2006). His other books include A Flame of Love: A personal choice of Charles Wesley’s verse ( 1987), Praying with the English Hymn-writers (1989), and a 2 vol biography (the first) of John R W Stott (1999, 2001). He has served on editorial groups for Psalm Praise (1973) and Common Praise (2000), and has addressed and been honoured by both the N American and British Hymn Societies, respectively as Fellow and Hon Vice-President. In 2003 he was awarded the OBE ‘for services to hymnody’. Hymn festivals in Tunbridge Wells and Salisbury, together with an extended BBC ‘Sunday Half Hour’ on New Year’s Eve, marked his 80th birthday at the end of 2006, following the publication of a seasonallyarranged selection of 30 texts in A Calendar of Praise (with music, mostly traditional). In an opening address to the Hymn Soc’s Guildford conference in its 70th year (also 2006), TDS spoke of his (and our) ups and downs as ‘Snakes and Ladders’, concluding with that greatest of ‘ladders’ from Gen 28, referred to in Elizabeth’s Clephane’s text (699) which has meant everything to him: ‘so seems my Saviour’s cross to me/ a ladder up to heaven’. Nos.10, 20, 25, 26, 32, 34, 41, 56, 60, 63, 65, 69B, 72, 73, 91B, 115, 119H, 134, 141, 218, 238, 320, 327, 351, 360, 389, 402, 405, 410, 413, 436, 459, 466, 488, 497, 516, 531, 553, 558, 623, 628, 659, 688, 697, 746, 750, 784, 823, 924, 925, 939, 949, 951, 1001, 1002, 1005, 1006, 1009, 1019, 1020, 1025, 1042, 1077, 1136, 1166, 1174, 1214.