Praise be to Christ in whom we see
- Genesis 1:16
- Exodus 4:22
- Psalms 83
- Psalms 89:27
- Matthew 24:35
- Mark 13:31
- Luke 2:40
- John 1:10
- John 1:14
- John 1:17
- John 1:3
- 1 Corinthians 15:25
- 1 Corinthians 8:6
- 2 Corinthians 4:4
- Ephesians 1:22-23
- Ephesians 2:13-14
- Ephesians 4:15
- Colossians 1:15-20
- Colossians 2:19
- Colossians 2:9
- Hebrews 1:2
- Hebrews 2:17-18
- Revelation 1:5-6
- 327
Praise be to Christ in whom we see
the image of the Father shown,
the firstborn Son revealed and known,
the truth and grace of deity;
through whom creation came to birth,
whose fingers set the stars in place,
the unseen powers and this small earth,
the furthest bounds of time and space.
2. Praise be to him whose sovereign sway
and will upholds creation’s plan;
who is, before all worlds began
and when our world has passed away:
Lord of the church, its life and head,
redemption’s price and source and theme,
alive, the firstborn from the dead,
to reign as all-in-all supreme.
3. Praise be to him who, Lord most high,
the fulness of the Godhead shares;
and yet our human nature bears,
who came as man to bleed and die.
And from his cross there flows our peace
who chose for us the path he trod,
that so might sins and sorrows cease
and all be reconciled to God.
© Author / Oxford University Press
Timothy Dudley-Smith
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Tunes
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Ye Banks And Braes Metre: - LMD (Long Metre Double: 88 88 D)
Composer: - Warren, Norman Leonard
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Jerusalem Metre: - LMD (Long Metre Double: 88 88 D)
Composer: - Parry, Charles Hubert Hastings
The story behind the hymn
In 1980 a short but notable exposition of Colossians, Fulness and Freedom by R C (Dick) Lucas, was published by IVP, and almost immediately its treatment of Colossians 1:15–20 (itself a gloriously lyrical and deeply theological passage, as the commentator observes) led to the writing of this hymn by Timothy Dudley-Smith. He was then Archdeacon of Norwich, and wrote it at his home at Bramerton, Norfolk. Clearly on this occasion it could not wait for his holiday writing period, so after ‘various attempts which came to nothing’, he completed it rapidly on a day when he was at home unwell. The words appeared in On the Move in Australia (Oct 1981), and in HTC a year later. Stz 1 also reflects Psalm 8:3, among other Scriptures, and its theme was a favourite one of Isaac Watts: (‘… and this small earth’), given enriched significance by every advance in astronomical science.
Though RADIANT CITY (19B) is one alternative, from its first publication the text has been set to the flowing Scottish melody YE BANKS AND BRAES (from Ye banks and braes o’ Bonnie Doon), arranged here as in HTC by Norman Warren. The Salvation Army songbooks were among the first to use this tune for Christian words; an arrangement by Anthony Leach is also set to Peter Tongeman’s May words of truth inform our minds, in Songs of Worship (1980).
A look at the author
Dudley-Smith, Timothy
b Manchester 1926. Tonbridge School, Kent, Pembroke Coll Camb, and Ridley Hall Camb; ordained (CofE) 1950. After ministry at Northumberland Heath (nr Erith, Kent) and Bermondsey (SE London) he worked with the Evangelical Alliance, editing Crusade magazine before moving to the Church Pastoral Aid Society, becoming Gen Sec in 1965. Subsequently he became Archdeacon of Norwich (73–81), then suffragan Bp of Thetford until his retirement to Ford, nr Salisbury, in 1992. A writer of verse (including a mastery of the comic sort) from his youth, he is seen by Prof J R Watson (in The English Hymn, 1997) as igniting the late 20th cent ‘hymn explosion’ with his 1961 Tell out, my soul, the greatness of the Lord, one of the hymns from that period in the widest use. He is the author of over 250 hymn texts in a similar number of hymnals worldwide, first collected in Lift Every Heart (1984), most recently in A House of Praise ( 2003). The latest of 4 smaller supplements, A Door for the Word, appeared in 2006, and 2 smaller booklets of his texts with accompanying music were published in 2001 and 2006: respectively Beneath a Travelling Star and A Calendar of Praise.
For many years the Bible commentator Derek Kidner was a mentor for most of TDS’s early drafts. While some were begun or completed at home, on trains or elsewhere, several were the fruit of family holidays on the Cornish coast, as a pre-breakfast employment (and delight) overlooking the beach near The Lizard. As reviewers have often observed, his texts are notable for their varied metres, disciplined rhyming, and biblical content; the theme of redemption through the cross and the shed blood of our Lord Jesus Christ is a theme encountered consistently, naturally and with variety; so is the fact that ‘the Lord is risen’. Without plagiarising, the hymns deliberately draw on a wide range of earlier poets and other authors for suggested ideas, as the attached notes fully illustrate. 37 items are included in Sing Glory (1999); 18 are in the N American Worship and Rejoice (2001), 9 in the 2005 edn of A Panorama of Christian Hymnody and 33 in the new Anglo- Chinese Hymns of Universal Praise (new edn, 2006). His other books include A Flame of Love: A personal choice of Charles Wesley’s verse ( 1987), Praying with the English Hymn-writers (1989), and a 2 vol biography (the first) of John R W Stott (1999, 2001). He has served on editorial groups for Psalm Praise (1973) and Common Praise (2000), and has addressed and been honoured by both the N American and British Hymn Societies, respectively as Fellow and Hon Vice-President. In 2003 he was awarded the OBE ‘for services to hymnody’. Hymn festivals in Tunbridge Wells and Salisbury, together with an extended BBC ‘Sunday Half Hour’ on New Year’s Eve, marked his 80th birthday at the end of 2006, following the publication of a seasonallyarranged selection of 30 texts in A Calendar of Praise (with music, mostly traditional). In an opening address to the Hymn Soc’s Guildford conference in its 70th year (also 2006), TDS spoke of his (and our) ups and downs as ‘Snakes and Ladders’, concluding with that greatest of ‘ladders’ from Gen 28, referred to in Elizabeth’s Clephane’s text (699) which has meant everything to him: ‘so seems my Saviour’s cross to me/ a ladder up to heaven’. Nos.10, 20, 25, 26, 32, 34, 41, 56, 60, 63, 65, 69B, 72, 73, 91B, 115, 119H, 134, 141, 218, 238, 320, 327, 351, 360, 389, 402, 405, 410, 413, 436, 459, 466, 488, 497, 516, 531, 553, 558, 623, 628, 659, 688, 697, 746, 750, 784, 823, 924, 925, 939, 949, 951, 1001, 1002, 1005, 1006, 1009, 1019, 1020, 1025, 1042, 1077, 1136, 1166, 1174, 1214.