We come as guests invited
- 2 Samuel 9
- Luke 14:17
- John 13:1
- John 15:1-8
- Acts 2:42
- Romans 8:39
- 1 Corinthians 10:17
- 1 Corinthians 11:23-26
- 2 Corinthians 5:14-17
- 1 John 1:3
- 659
We come as guests invited
when Jesus bids us dine,
his friends on earth united
to share the bread and wine;
the bread of life is broken,
the wine is freely poured
for us, in solemn token
of Christ, our dying Lord.
2. We eat and drink, receiving
from Christ the grace we need,
and in our hearts believing
on him by faith we feed;
with wonder and thanksgiving
for love that knows no end,
we find in Jesus living
our ever-present friend.
3. One bread is ours for sharing,
one single fruitful vine,
our fellowship declaring
renewed in bread and wine:
renewed, sustained and given
by token, sign and word,
the pledge and seal of heaven,
the love of Christ our Lord.
© Author / Oxford University Press
Timothy Dudley-Smith
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Tune
-
Passion Chorale Metre: - 76 76 D
Composer: - Hassler, Hans Johann Leo
The story behind the hymn
Since this hymn was written by Timothy Dudley-Smith at Ruan Minor, Cornwall, in 1975, many books have recognised its value. The guests are specifically invited, he says, in Luke 22:19; stz 2.3–5 reflect the Prayer Book words used as the bread is given and received. The author adds that ‘The three verses move from the recital of what is taking place, into our own participation and experience of Christ, and so to the united family receiving together the gifts of love.’ The second half of stz 2 was a later addition to a draft of five 4-line stzs; the notes in Lift Every Heart (1984) also record the fact of a struggle ‘fruitlessly (it always seems) with a text’, followed by the experience of it coming together at the end ‘spontaneously and without difficulty.’ It was first published in the 1980 Songs of Worship, and was one of a few hymns missing from the 1st edn of HTC to be added to the second (1987).
From their first appearance, PASSION CHORALE has been the ‘natural’ tune for these words. See note to the tune and an alternative arrangement (also by J S Bach) at 439.
A look at the author
Dudley-Smith, Timothy
b Manchester 1926. Tonbridge School, Kent, Pembroke Coll Camb, and Ridley Hall Camb; ordained (CofE) 1950. After ministry at Northumberland Heath (nr Erith, Kent) and Bermondsey (SE London) he worked with the Evangelical Alliance, editing Crusade magazine before moving to the Church Pastoral Aid Society, becoming Gen Sec in 1965. Subsequently he became Archdeacon of Norwich (73–81), then suffragan Bp of Thetford until his retirement to Ford, nr Salisbury, in 1992. A writer of verse (including a mastery of the comic sort) from his youth, he is seen by Prof J R Watson (in The English Hymn, 1997) as igniting the late 20th cent ‘hymn explosion’ with his 1961 Tell out, my soul, the greatness of the Lord, one of the hymns from that period in the widest use. He is the author of over 250 hymn texts in a similar number of hymnals worldwide, first collected in Lift Every Heart (1984), most recently in A House of Praise ( 2003). The latest of 4 smaller supplements, A Door for the Word, appeared in 2006, and 2 smaller booklets of his texts with accompanying music were published in 2001 and 2006: respectively Beneath a Travelling Star and A Calendar of Praise.
For many years the Bible commentator Derek Kidner was a mentor for most of TDS’s early drafts. While some were begun or completed at home, on trains or elsewhere, several were the fruit of family holidays on the Cornish coast, as a pre-breakfast employment (and delight) overlooking the beach near The Lizard. As reviewers have often observed, his texts are notable for their varied metres, disciplined rhyming, and biblical content; the theme of redemption through the cross and the shed blood of our Lord Jesus Christ is a theme encountered consistently, naturally and with variety; so is the fact that ‘the Lord is risen’. Without plagiarising, the hymns deliberately draw on a wide range of earlier poets and other authors for suggested ideas, as the attached notes fully illustrate. 37 items are included in Sing Glory (1999); 18 are in the N American Worship and Rejoice (2001), 9 in the 2005 edn of A Panorama of Christian Hymnody and 33 in the new Anglo- Chinese Hymns of Universal Praise (new edn, 2006). His other books include A Flame of Love: A personal choice of Charles Wesley’s verse ( 1987), Praying with the English Hymn-writers (1989), and a 2 vol biography (the first) of John R W Stott (1999, 2001). He has served on editorial groups for Psalm Praise (1973) and Common Praise (2000), and has addressed and been honoured by both the N American and British Hymn Societies, respectively as Fellow and Hon Vice-President. In 2003 he was awarded the OBE ‘for services to hymnody’. Hymn festivals in Tunbridge Wells and Salisbury, together with an extended BBC ‘Sunday Half Hour’ on New Year’s Eve, marked his 80th birthday at the end of 2006, following the publication of a seasonallyarranged selection of 30 texts in A Calendar of Praise (with music, mostly traditional). In an opening address to the Hymn Soc’s Guildford conference in its 70th year (also 2006), TDS spoke of his (and our) ups and downs as ‘Snakes and Ladders’, concluding with that greatest of ‘ladders’ from Gen 28, referred to in Elizabeth’s Clephane’s text (699) which has meant everything to him: ‘so seems my Saviour’s cross to me/ a ladder up to heaven’. Nos.10, 20, 25, 26, 32, 34, 41, 56, 60, 63, 65, 69B, 72, 73, 91B, 115, 119H, 134, 141, 218, 238, 320, 327, 351, 360, 389, 402, 405, 410, 413, 436, 459, 466, 488, 497, 516, 531, 553, 558, 623, 628, 659, 688, 697, 746, 750, 784, 823, 924, 925, 939, 949, 951, 1001, 1002, 1005, 1006, 1009, 1019, 1020, 1025, 1042, 1077, 1136, 1166, 1174, 1214.