With joy I welcome, Lord, your right
- Genesis 2:8-15
- Genesis 50:24-26
- Leviticus 22:31
- Psalms 119:174
- Psalms 119:24
- Psalms 119:77
- Psalms 19:8
- Psalms 92:12-14
- Ecclesiastes 2:1-11
- Luke 11:28
- Luke 12:13-21
- Luke 8:21
- John 15:5
- Romans 14:7-9
- 2 Corinthians 5:14-17
- Philippians 3:4-10
- 1 Timothy 2:6
- 2 Timothy 4:18
- James 1:22
- 867
With joy I welcome, Lord, your right
to every service I can pay;
and call it my supreme delight
to hear your word and to obey.
2. What are my days apart from you,
my sure support, my noblest end,
your ever-gracious face to view
and serve the cause of such a friend?
3. Let me not live for worldly joy,
or to increase my worldly good,
nor future time or powers employ
to spread a famous name abroad.
4. To Christ my Saviour may I live,
to him who for my ransom died;
nor could untainted Eden give
such joy as blossoms at his side.
5. His work my closing years shall bless,
when youthful vigour is no more;
and my last hour of life confess
his love has new-creating power.
© In this version Praise Trust
Philip Doddridge 1702-51
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Tunes
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New Rochdale Metre: - LM (Long Metre: 88 88)
Composer: - Wigglesworth, Edwin
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Luther's Chant Metre: - LM (Long Metre: 88 88)
Composer: - Zeuner, (Charles) Heinrich Christoph
The story behind the hymn
This section on ‘Zeal in service’ concludes with a further hymn by Philip Doddridge, the original of which began ‘My gracious Lord, I own thy right …’, sometimes altered to ‘All-gracious Lord …’ Like 864 and others, it appeared in Job Orton’s edition of the author’s hymns, first published 1755, 4 years after his death. Its heading then was ‘CHRIST’S Service, the Fruit of our Labours on Earth. Philippians 1:23’. Its words are no less searching than those of 850, and the Companion to Rejoice and Sing observes that ‘Not everyone who sings this hymn will find it easy to make the choices envisaged by the hymnwriter.’ Cliff Knight puts it more positively: ‘… a hymn which perhaps only the active committed Christian can sing with sincerity.’ He also quotes an unnamed commentator who says that ‘each verse seems to be more rapturous than the last’; certainly the hymn’s aspirations are set high. The author, it is fair to say, lived and died in the spirit of what he wrote, though he did not see the ‘hoary age’ he hoped for in the original of 5.1. Other changes in this Praise! version are made at 1.4 (from ‘to hear thy dictates …’); 2.1,3 (‘What is my being but for thee/ … see’); 3.1,3,4 (‘I would not breathe for … / … future days/ … a sounding name …’); and 4.1 (‘But to/ ’Tis to my Saviour I would …’).
Of several tunes to which the words have been set, Edwin Wigglesworth’s NEW ROCHDALE is one of the less-used. GH sets it to a Samuel Medley hymn; no date has yet been discovered. Other options are WARRINGTON (447) or the suggested LUTHER’S CHANT (501).
A look at the author
Doddridge, Philip
b London 1702, d Lisbon, Portugal 1751. The youngest and barely surviving 20th child of a dissenting London oil merchant, he was one of only two to grow beyond infancy. He was educated at home by his mother, then briefly at the Grammar School at Kingstonon- Thames, Surrey, and at St Albans; being orphaned at 13 he was cared for by a guardian, then by his relatives. The Duchess of Bedford offered to support him at Oxford or Cambridge, but (like his older contemporary Watts) he declined to adopt the Anglicanism which was then required for those universities. Discouraged by the renowned Dr Edmund Calamy but encouraged by his own pastor Samuel Clark, from 1719 he trained at Dr Jennings’ Academy at Kibworth, Leics. He ministered at Kibworth, Stretton and Market Harborough and in 1729 he began a 22-year pastorate in Northampton which he combined with the leadership of a remarkable academy/seminary there which in many ways outshone the Oxbridge of its day. Aberdeen Univ awarded him an hon DD in 1736. Among his many books including the popular Family Expositor and the dramatic Life of Colonel Gardiner (short title, 1747), the most influential proved to be The Rise and Progress of Religion in the Soul (1745). A moderate Calvinist of evangelical and catholic spirit (Faith Cook calls him ‘large-hearted’), he maintained friendships, not without criticism, with Whitefield and the Wesleys as well as with Isaac Watts, and such local Anglicans who were willing to associate with him. As a patriot he helped raise a small militia to counter a possible advance from the north by the army of the RC ‘young pretender’; as a philanthropist he pleaded for mercy for felons condemned to death, supported inoculation against smallpox and made the plans which led to the building of the town’s general hospital; as an educator he opened a new school for boys and addressed the town’s philosophical society.
Doddridge wrote some 400 hymns, many of them at some speed to be in time for the following Sunday’s services, when they would sum up or illustrate the message of his sermons. Many are very fine and some leave room for gentle irony in the style of the prophets, even in a final stz: ‘Now let the powers of darkness roar,/ how vain their threats appear;/ when they can match Jehovah’s power,/ I will begin to fear’! Never very fit physically, he sailed to Portugal from Falmouth in Sept 1751 in a final attempt to regain his failing health, but died there soon after arriving and is buried at Lisbon. Just before leaving England he had said to Lady Huntingdon, ‘I can as well go to heaven from Lisbon, as from my own study at Northampton.’ His sermons and some letters were printed; the hymns were collected and scripturally arranged in various posthumous edns from 1755 onwards, not always compatible, by Job Orton in 1755 and by John Doddridge Humphreys in 1839. Among many studies of his life and work is a symposium edited by Geoffrey Nuttall in 1951, Malcolm Deacon’s 1980 biography, and Alan Clifford’s (qv) The Good Doctor (2002). He was the subject of the Evangelical Library’s annual lecture in 2002. James Montgomery wrote in 1825 that his hymns ‘shine in the beauty of holiness’; they are mild, human, ‘lovely and acceptable…for that fervent and unaffected love to God, his service, and his people, which distinguishes them.’ John Ellerton quoted the judgement that none were so good as Watts’s best and none as bad as his worst. Northampton’s Castle Hill ch, now URC, is known as the Doddridge Memorial Ch and contains many memorabilia. Doddridge is the third in order of contributors of Spurgeon’s Our Own Hymn Book (1866), with 45 entries, Wesley having 48 and Watts 246. The 1951 Congregational Praise included 14 of his hymns; Rejoice and Sing (1991) retained 8 of them; while GH has 13; CH had 23 in 1977 and 19 in 2004. Nos.345, 409, 654, 721, 864, 867, 873, 964.